At the Ragtime Ball Cover Image

At the Ragtime Ball: Concert Band Conductor Score

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At the Ragtime Ball Cover Image

At the Ragtime Ball: Concert Band Conductor Score

Traditional / arr. Carl Strommen

Grade: 2 (Easy)

Item: 00-35374S

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Description
With its roots in the march genre and African polyrhythms, the resulting syncopations drives the distinctive sound of this rag. Here's Carl Strommen's unique take on this distinctive style in this original concert band work! This title is available in MakeMusic Cloud.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 24
UPC: 038081417943
SKU: 00-35374S

More about this title

About the Arranger: Carl Strommen

Carl Strommen

Carl Strommen's work spans concert band, orchestra, jazz ensemble, and vocal literature, making him one of the most widely performed composers and arrangers in North America and beyond. His pieces appear regularly in concert halls, on television soundtracks, and in film, and he maintains an active schedule as both a clinician and commissioned composer. Strommen has received the ASCAP Standard Writers Award annually throughout his career, a testament to the reach and durability of his catalog.

A product of City College of New York, Strommen remains connected to music education through his teaching at Long Island University's C.W. Post Campus, where he serves as an adjunct professor of orchestration and composition. He divides his time between Long Island and Colorado with his family.

Why we love this

Strommen captures the essential character of ragtime without overwhelming young players. The syncopations land where they should, the march-like scaffolding keeps the form transparent, and the orchestration gives every section something interesting to play. It's a piece that teaches style authentically while remaining genuinely fun for a Grade 2 ensemble.

What to expect

Ragtime energy meets march tradition. The piece bounces with infectious syncopation while staying grounded in familiar concert band textures, creating something that feels both playful and purposeful. It swings without ever losing its footing.

Who it's for

Young concert bands at the intermediate level benefit most from this piece. It's accessible enough for less experienced ensembles but musically substantive enough to teach style and phrasing rather than simply drill fundamentals.

How to get the most out of it

  • Lock the rhythmic feel early in rehearsal. Have the band tap or clap the distinctive syncopated figures separately before putting them over steady quarter notes in the accompaniment, so the contrast between the two rhythmic layers becomes clear.
  • Balance the rag melody so it sits just above the supporting parts without forcing your players to oversell the line. The syncopations create enough rhythmic interest that the tune doesn't need aggressive articulation.
  • Maintain a steady, confident tempo. Ragtime loses its swagger if the pulse wavers. A metronome or recorded click during early rehearsals helps the band internalize the groove.

How to use it

Program this as a concert opener or mid-set piece when you want to shift mood without sacrificing musical substance. It pairs well alongside traditional marches and light concert fare, and it signals to audiences that your band has personality and style range.

Skills your students will build

  • Executing syncopated rhythms accurately against steady accompaniment
  • Understanding ragtime style and its relationship to march form
  • Balancing melody and supporting parts in contrapuntal textures
  • Maintaining rhythmic precision under polyrhythmic conditions

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