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At the Crossroads: Concert Band Conductor Score

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At the Crossroads Cover Image

At the Crossroads: Concert Band Conductor Score

By Robert W. Smith

Grade: 2 (Easy)

Item: 00-BD9568C

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Description
In this dynamic concert opener, each section of the band plays a key role in the ensemble; there are multiple opportunities for low brass and woodwinds to play melodic and countermelodic lines. With its intriguing layered textures and shifting tonalities and colors, this is an important contribution to band literature for the young ensemble. (2:48)

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 20
UPC: 029156176834
SKU: 00-BD9568C

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a cornerstone voice in American concert band composition, with more than 400 works in circulation across major publishers. His education includes a Bachelor of Music Education from Troy State University and a Master of Music from the University of Miami. Smith's original compositions for concert band and orchestra have reached audiences on six continents, from performance halls to Olympic broadcasts and major television network presentations.

Beyond the concert stage, Smith has shaped the field as a conductor and clinician, working with ensembles across North America, Europe, Asia, and Australia. His works for developing bands have become repertoire standards, while his larger symphonic works (The Divine Comedy and The Odyssey) continue to challenge and inspire musicians at all levels. His music has accompanied everything from state ceremonies to the opening of the Macy's Thanksgiving Day Parade.

Why we love this

Smith packs genuine musicianship into a Grade 2 frame without talking down to young players. Every section gets moments of real melodic substance, and the layered textures feel sophisticated on the ear while remaining accessible to develop your ensemble's balance and voice independence. This opener sets your concert up for success from the downbeat.

What to expect

Dynamic and layered, with a sense of purposeful movement from one color to the next. The piece unfolds like a conversation among the band's different choirs, with low brass and woodwinds trading melodic responsibilities in ways that feel fresh and engaging rather than predictable.

Who it's for

Conductors building young concert bands (Grade 2) who want an opener with real ensemble writing, not a showpiece that relies on soloists. This score works for any developing band serious about learning how sections function together and create color through orchestration.

How to get the most out of it

  • Balance the layered textures by rehearsing each melodic and countermelodic line separately with the sections that don't play it, so woodwinds and low brass understand how their lines interact with the full sonority.
  • Shape the shifting tonalities through careful dynamic control; these color changes land best when each section commits to its own dynamic arc within the phrase.
  • Use the 2:48 duration as rehearsal pacing feedback; if the piece drags in performance, tighten the transitions between sections and refresh the ensemble's focus on forward motion.

How to use it

Open a concert with this to establish control and musicianship early. Its 2:48 length makes it ideal for festival competitions where you want a strong impression without eating up your program time, and the ensemble writing provides a natural springboard into larger works later in the set.

Skills your students will build

  • Balancing multiple simultaneous melodic lines within a single ensemble
  • Responding to shifting harmonic colors and tonalities
  • Low brass and woodwind independence in countermelodic writing
  • Sectional awareness and voice leading in a homogeneous ensemble

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