Ask the Lonely Sheet Music Preview

Ask the Lonely: Authentic Guitar TAB

Journey

Item: 00-PS-0012378

Digital Download
$5.99
Description
Journey, originally formed in the late '70s by former members of the Santana band, defined '80s rock. Their signature song, "Don't Stop Believin', " is the best selling song in iTunes history. This book features complete TAB transcriptions of Neil Schon's legendary guitar work. Titles: Only the Young * Don't Stop Believin' * Wheel in the Sky * Faithfully * I'll Be Alright Without You * Any Way You Want It * Ask the Lonely * Who's Crying Now * Separate Ways (Worlds Apart) * Lights * Lovin', Touchin', Squeezin' * Open Arms * Girl Can't Help It * Send Her My Love * Be Good to Yourself.

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Additional Details
Publisher: Alfred Music
Page Count: 152
SKU: 00-PS-0012378

More about this title

About the Composer: Jonathan Cain

Jonathan Cain joined Journey in 1980 as keyboardist and became a primary songwriter during the band's most commercially successful period. His compositions and arrangements shaped the sound of Journey's defining albums throughout the 1980s, establishing him as a central figure in stadium rock composition. Beyond his work with Journey, Cain has maintained a career as a solo artist and continues to perform and record.

Why we love this

This collection gives guitarists direct access to Neil Schon's iconic solos and rhythm work across Journey's most recognizable hits. The 152 pages of authentic TAB transcriptions preserve the exact voicings, techniques, and phrasing that defined 1980s rock guitar, making this essential reference material for anyone learning classic rock repertoire. The breadth of songs spans ballads, anthems, and driving rockers, offering varied technical challenges within a cohesive artistic vision.

What to expect

These songs pulse with the confidence and polish of arena rock at its height. Soaring melodies sit above driving rhythms; intimate acoustic moments give way to shimmering synth-guitar textures. The collection captures both the vulnerability of power ballads and the kinetic energy of stadium anthems, all anchored by Schon's fluid soloing and thoughtful harmonic choices.

Who it's for

Intermediate to advanced guitarists studying classic rock soloing, phrasing, and composition from the 1980s. Musicians preparing cover arrangements, exploring iconic guitar work across a range of styles, or building repertoire in rock and pop contexts will find substantial material to work through. Guitar instructors can use individual songs as teaching tools for rhythm techniques, lead phrasing, and song arrangement.

How to get the most out of it

  • Study the rhythm guitar voicings in tracks like Faithfully and Open Arms to understand how Schon uses chord inversions and fingerpicking to create texture beneath the melody.
  • Work through the pentatonic scale passages in Wheel in the Sky and Ask the Lonely at slow tempos to internalize the bend timing and vibrato that give these solos their character.
  • Use the TAB alongside recordings of each song to lock in the exact timing of syncopated rhythm sections, particularly in Don't Stop Believin' where the guitar sits tightly with the bass and drums.
  • Pay attention to the dynamic contrast between the softer opening sections and explosion points in songs like Separate Ways; this phrasing distinction is as important as the technical execution.

How to use it

Feature individual songs in rock ensemble concerts or student recitals, allowing guitarists to showcase both technical chops and interpretive musicianship. Pair selections with other 1980s rock material to create a themed program exploring the decade's sonic landscape. Use shorter pieces like Girl Can't Help It as intermediate concert openers, or tackle the full suite of hits in a longer band or ensemble showcase.

Skills your students will build

  • Pentatonic scale soloing and targeting chord tones
  • Bending technique and vibrato control
  • Fingerpicking patterns and rhythm guitar voicings
  • Syncopated rhythmic phrasing against steady pulse
  • Transposing and adapting solos for different keys
  • Dynamic control from soft ballad playing to full-volume rock expression

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