Arrival: Drum Play-Along Cover Image

Arrival: Drum Play-Along: Drumset Book & CD

$13.99 USD
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Arrival: Drum Play-Along Cover Image

Arrival: Drum Play-Along: Drumset Book & CD

Contemporary Rock, Progressive, and Funk Songs for Drummers

By Joe Bergamini with Dom Famularo

Level: Intermediate / Advanced

Item: 00-42398

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Description
Drummer/educator Joe Bergamini presents 10 exciting tracks with his Arrival: Drum Play-Along. Known for his playing in progressive rock circles, Joe provides creative groove and fill ideas for these songs, which appeared on his critically acclaimed 1996 album Arrival. The album began as an idea from co-author Dom Famularo, which led Joe to recruit 4Front guitarist Zak Rizvi to create these songs, which range from rock to reggae, ballads to double bass, funk to 12/8, and more. Beginner to advanced-level players will find lots of exciting material to sink their teeth into.

These songs have been specifically designed with performances, clinics, and recitals in mind. In addition to the charts, grooves, and fills, the included MP3 disc also contains each song with drums, minus drums with click, and minus drums with no click. Using these tracks, you can simulate a recording studio environment by playing along with the click, or use the versions without click in performances and recitals.

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1 Arrival - Book Version --:--
2 One For Jeff - Book Version --:--
3 Simple Simon - Book Version --:--

Arrival - Book Version

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Additional Details
Series: Wizdom Media
Publisher: Wizdom Media
Page Count: 48
ISBN10: 1-4706-1078-7
ISBN13: 978-1-4706-1078-4
UPC: 038081472881
SKU: 00-42398

More about this title

About the Author: Joe Bergamini

Joe Bergamini

Joe Bergamini has built a career spanning progressive rock performance, Broadway pit work, and international drum education. As drummer for Happy the Man and 4Front, he's established himself in the fusion and progressive rock communities. His Broadway credits span over a decade and include productions such as Hamilton, The Lion King, Jersey Boys, and Pippin (2013 revival), alongside touring engagements with major orchestras and The Doo-Wop Project.

Bergamini's influence extends deeply into music education. He has served as Senior Drum Editor for Hudson Music since 2009, overseeing acquisitions and projects from world-class drummers, and became Education Consultant for Sabian in 2015, designing and directing the Sabian Education Network for drum teachers. Over 25 years of private instruction has shaped professional musicians, including world-renowned jazz drummer Mark Guiliana. He regularly conducts clinics at major conventions including PASIC, the Ultimate Drummers Weekend, and specialized drum camps.

Why we love this

Bergamini draws from genuine performance experience across progressive rock, fusion, and Broadway to create grooves and fills that feel earned rather than theoretical. The 10 tracks span enough stylistic ground (rock, reggae, funk, 12/8, ballads with double bass) that students encounter real musical diversity, not just repetitive patterns. The multiple track versions (with drums, click only, and unclicked) transform a book into a functional performance tool, making it unusually practical for recitals, clinics, and solo development.

What to expect

A curated set of real songs with professional polish and genuine musical intent. The grooves feel purposeful rather than generic; the fills have room for interpretation and personality. Moving across reggae, funk, and progressive passages keeps your ears engaged and your hands learning new coordination challenges.

Who it's for

Intermediate to advanced drummers seeking material that bridges practice and performance. This collection works for students preparing for recitals, drummers exploring fusion and progressive styles, and any player looking to expand their groove vocabulary beyond single-style method books.

How to get the most out of it

  • Lock into the click track versions first to internalize pocket and timing, then gradually move to the no-click versions to build confidence for live performance.
  • Study the written grooves and fills before playing along; understanding the architecture prevents sloppy reliance on the recording.
  • Use the drum-minus tracks to identify where your dynamics sit relative to the rest of the arrangement, especially in the reggae and funk grooves where pocket precision matters.
  • Record yourself playing over the click-only tracks and compare the results to the full version to assess your consistency and identify phrases that need tightening.

How to use it

Feature individual tracks as recital solos, drawing on the accompaniment versions and the performance-friendly no-click tracks. Use them as required listening and playing assignments when teaching groove styles across a semester. Assign 2-3 different tracks to students at varying ability levels within the intermediate-to-advanced range, then have them perform or share recordings in a lesson setting.

Skills your students will build

  • Double bass coordination and endurance in rock and fusion contexts
  • Pocket playing in reggae, funk, and 12/8 meters
  • Fill design and execution across progressive and ballad grooves
  • Listening and responsiveness to rhythmic accompaniment through play-along tracks
  • Recital preparation and solo performance confidence

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