Arpeggio Antics Cover Image

Arpeggio Antics: String Orchestra Conductor Score & Parts

$45.00 USD
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Arpeggio Antics Cover Image

Arpeggio Antics: String Orchestra Conductor Score & Parts

By R. Anne Svendsen

Grade: 1.5

Item: 36-52250338

$45.00
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Description
Grade 1 1/2 * This piece in D Major offers easy optional violin/cello parts, and a piano part is included.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296160-5
ISBN13: 978-1-68-296160-5
UPC: 679360791981
SKU: 36-52250338
Instrumentation: String Orchestra

More about this title

Why we love this

Svendsen writes with genuine understanding of what young string players can actually execute, and this piece proves it. The optional violin and cello parts mean you're not locked into a single instrumentation, and the inclusion of piano support gives you flexibility in how you balance the ensemble sound.

What to expect

Light and playful, with the kind of rhythmic charm that draws smiles from both performers and audiences. The novelty treatment keeps things buoyant without wandering into silliness, making it a refreshing palate cleanser in a rehearsal or concert.

Who it's for

String orchestra directors working with Grade 1½ ensembles who want a piece that's genuinely fun to perform without sacrificing musicianship. This works equally well for school orchestras and youth ensemble programs where you have flexible instrumentation.

How to get the most out of it

  • Bring out the character of the piece by encouraging players to listen for the playful rhythmic patterns in the melody line; this novelty genre thrives on clarity and precision, not speed.
  • Use the optional parts strategically. If your second violin or cello section is smaller or less experienced, the optional designation gives you real flexibility without compromising the musical result.
  • D Major is forgiving for young strings. Reinforce that this key signature has only two sharps, which keeps technical barriers low and lets players focus on ensemble balance and articulation.

How to use it

Position this early in a concert to establish an engaging tone, or use it mid-program as an energy lift between more substantial works. It's also an excellent choice for spring pops concerts or end-of-year celebrations where you want something the whole orchestra can execute confidently.

Skills your students will build

  • Executing arpeggio figures with rhythmic accuracy
  • Balancing ensemble sound across multiple string parts
  • Playing in D Major with consistent intonation on two sharps
  • Responding to novelty genre conventions and articulation styles

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