Arith-Metric No. 1 Cover Image

Arith-Metric No. 1: Flexible Band/String Ensemble Score & Parts

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Arith-Metric No. 1 Cover Image

Arith-Metric No. 1: Flexible Band/String Ensemble Score & Parts

By Brian Balmages

Grade: 3

Item: 98-B1831

$50.00
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Description
An exciting piece that explores self-paced developing music for literally any combination of instruments. Inspired by Terry Riley’s In C, the piece includes short fragments that performers move through at their own pace. Explore pacing, development and orchestration with this piece that works for literally any possible combination of instruments!

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Additional Details
Series: The ReImagine Initiative
Publisher: The FJH Music Company, Inc.
UPC: 241444428160
SKU: 98-B1831

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a compositional career that moves fluidly across orchestral, band, and chamber idioms, earning recognition at the highest levels of music education and performance. His works have been heard in Carnegie Hall, the Kennedy Center, and the Sydney Opera House, performed by ensembles ranging from professional orchestras to elementary school groups. He holds membership in the American Bandmasters Association, won the 2020 NBA William D. Revelli Composition Contest for Love and Light, and received the A. Austin Harding Award from the American School Band Directors Association.

As a conductor, Balmages maintains an active guest schedule with all-state ensembles, university groups, and professional orchestras worldwide. His music was featured in the 2013 Presidential Inaugural Prayer Service, and he has been commissioned for significant institutional events, including the inauguration of the University of Miami's sixth president. Currently serving as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, he continues to shape the landscape of contemporary band and orchestral music.

Why we love this

Arith-Metric No. 1 captures the improvisatory energy of Riley's minimalist approach while remaining deeply practical for ensemble directors. The flexible instrumentation removes the barrier of "what instruments do we have today" and lets you focus instead on how your specific combination of players can build texture and momentum together. It's the rare piece that invites experimentation and becomes more interesting the more you perform it.

What to expect

The piece unfolds with the accumulative energy of overlapping musical strands, where individual patience and collective listening create an organic, almost improvisatory sound. Performers move at their own pace through short musical ideas, generating hypnotic rhythmic interactions that shift and settle like a musical kaleidoscope.

Who it's for

Programs seeking a structured entry point into minimalist concepts and flexible scoring will find this ideal. It works equally well for an all-woodwind section, a mixed chamber ensemble, or a full concert band, making it invaluable when absences disrupt standard instrumentation.

How to get the most out of it

  • Establish a steady pulse as an anchor before rehearsal begins; performers need a clear reference point to pace themselves through the fragments independently.
  • Have players mark their own pacing decisions in the score during early run-throughs so they develop ownership of their musical choices.
  • Record a performance with one instrumentation, then record the same piece with a different combination to hear how orchestration shapes the overall architecture.
  • Build in time for sections to listen to each other without playing, helping them internalize the overlapping rhythmic profiles that create the piece's texture.

How to use it

Open a concert with this piece to establish an experimental mindset before moving into traditional works, or position it as a mid-program palate cleanser that showcases your ensemble's flexibility and collaborative musicianship. It also serves as a rehearsal tool for developing ensemble listening skills and independence without the pressure of a full performance schedule.

Skills your students will build

  • Maintaining individual tempo independence within a group setting
  • Listening across ensemble texture to locate their own musical line
  • Understanding orchestration through direct comparison of different instrumental combinations
  • Pacing longer phrases and managing musical development across repetition
  • Responding to peers' musical choices with flexibility and precision

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