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Arise My Love, My Fair One: SATB Choral Octavo

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Arise My Love, My Fair One Cover Image

Arise My Love, My Fair One: SATB Choral Octavo

Music by Sherri Porterfield

Item: 00-16337

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Description
A creative and masterful setting of a secular text from the Song of Solomon. Features a lyrical melody in a traditional ABA form. Lilting piano accompaniment.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Arise My Love, My Fair One: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081136943
SKU: 00-16337

More about this title

About the Composer: Sherri Porterfield

Sherri Porterfield

Sherri Porterfield directs choirs at Cedar Park Middle School in Cedar Park, Texas, where her ensembles have earned numerous first place and sweepstakes awards at competitions and performed at state music educators conventions. She has taught in Missouri and Kansas, served as an adjunct assistant professor of music education at the University of Missouri-Kansas City Conservatory of Music, and worked as a clinician and guest conductor with honor choirs across the country.

Porterfield has built a prolific composing career with over 175 published choral works represented in Alfred Music's catalog and other major publishers. Since 1997, she has received yearly ASCAP awards for her compositions. She holds a B.S.E. in music education from the University of Memphis and a Master of Music in choral conducting from the University of Missouri-Kansas City. Her professional affiliations include the American Choral Directors Association, Texas Music Educators Association, and Pi Kappa Lambda national music honor society.

Why we love this

Porterfield's treatment of this Song of Solomon text feels both sophisticated and singable, with a melody that sits naturally in the voice while the ABA structure gives the piece clear architectural shape. The lilting piano accompaniment provides warmth without overwhelming the four voices, making this a piece that works equally well in a festival setting or a concert program where you want something contemplative and beautifully crafted.

What to expect

The piece unfolds with an intimate, lyrical quality. The traditional ABA form creates a moment of subtle introspection in the B section before returning to the familiar melody, while the piano accompaniment gives the whole work a graceful, almost chamber-like character. This is music that invites the listener inward.

Who it's for

This octavo suits intermediate to advanced high school choirs and collegiate ensembles looking for contest or festival repertoire with literary substance. It works well for choirs comfortable with four-part independence but seeking something more accessible than heavy chromatic writing.

How to get the most out of it

  • Honor the lyricism in the A sections by allowing the melody to breathe; resist the urge to push the tempo, letting the singers shape each phrase naturally.
  • Balance the inner voices carefully during the B section to ensure the textural contrast reads clearly without losing ensemble cohesion.
  • Work with your accompanist to keep the piano light and supportive, particularly in measures where the choir carries the harmonic movement.

How to use it

Program this alongside other sacred or text-based secular music to build a thematic set exploring love and devotion in literature. Its 12-page length and moderate difficulty make it an excellent mid-season addition to a concert program, or save it for a festival where the musical sophistication and clean presentation will earn recognition.

Skills your students will build

  • Sustaining lyrical lines across longer phrases without rushing
  • Balancing four-part harmony in a lightly accompanied texture
  • Executing ABA formal design with clear sectional differentiation
  • Blending voices with independent voice parts that do not double the melody

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