Arioso and Caprice Cover Image

Arioso and Caprice: Trombone Part(s)

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Arioso and Caprice Cover Image

Arioso and Caprice: Trombone Part(s)

By Clifford P. Barnes

Item: 00-T6675ATO

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 029156186383
SKU: 00-T6675ATO

More about this title

Why we love this

Barnes writes for trombone with genuine understanding of the instrument's lyrical possibilities and technical range. The pairing of a singing Arioso with a virtuosic Caprice gives soloists both a showcase for warmth and control, then a chance to demonstrate agility and presence in a single, well-paced recital piece.

What to expect

The piece opens with an expressive, song-like melody that invites the soloist to sing through the trombone, then pivots into spirited figuration that rewards clean articulation and confident slide technique. The contrast between introspection and brilliance keeps both the performer and listener engaged.

Who it's for

Advanced high school soloists and college-level trombonists preparing for solo competitions and festival performances. Players need secure upper-register technique and the interpretive maturity to balance lyrical phrasing with virtuosic display.

How to get the most out of it

  • Shape the Arioso with long-term phrasing rather than bar-by-bar breathing; let the melody arc across natural harmonic points to create vocal quality in the tone.
  • Establish tempo stability in the Caprice before attempting to showcase articulation clarity; a solid rhythmic foundation makes the technical passages read rather than rush.
  • Use dynamic contrast between sections to highlight the character shift from introspective to brilliant without changing overall energy.

How to use it

Program this as a solo feature in a brass recital or festival performance where you want to showcase a strong trombone soloist's full range of musical maturity. It works equally well as a contest piece or as part of a chamber recital with piano accompaniment.

Skills your students will build

  • Legato phrasing and long-tone control in the upper register
  • Rapid single and double tonguing
  • Dynamic shaping across extended melodic lines
  • Clean slide technique in scalar and arpeggiated passages
  • Balancing lyrical expression with rhythmic precision

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