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Ariel: Concert Band Conductor Score

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Ariel Cover Image

Ariel: Concert Band Conductor Score

By Carl Strommen

Grade: 3 (Medium Easy)

Item: 00-38361S

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Description
This original overture demonstrates a sense of lightness and buoyancy. The title is borrowed from the sprite-like character in William Shakespeare's "The Tempest." A spirit whose name is derived from "air," Ariel is capricious, ethereal, and mischievous---adjectives that apply to this piece. A cherished new addition to the repertoire!

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
Page Count: 20
UPC: 038081436548
SKU: 00-38361S

More about this title

About the Composer: Carl Strommen

Carl Strommen

Carl Strommen's career spans composition and arranging across band, orchestra, jazz ensemble, and vocal settings, making him one of the most widely performed voices in American concert music. His work appears regularly in concert halls, on television, and in film productions. He holds an ASCAP Standard Writers Award annually, a recognition of his sustained output and influence.

Strommen teaches orchestration and composition as an adjunct faculty member at C.W. Post Campus of Long Island University. A graduate of City College of New York, he remains deeply connected to the academic world while maintaining an active schedule as a clinician and commission writer. He resides on Long Island with his family and spends significant time in Colorado.

Why we love this

Strommen captures the spirited, unpredictable energy of Ariel with orchestration that stays buoyant and transparent rather than heavy. Grade 3 bands often struggle to find pieces that sound genuinely delightful without sacrificing musical substance, but this overture delivers both: clear character writing, manageable ranges, and moments that let every section shine. The theatrical inspiration gives your program a narrative frame that audiences remember.

What to expect

Ariel captures mischievous motion and airy grace. The piece dances and shifts direction like a spirit bound by neither gravity nor predictability, full of unexpected harmonic turns and sudden textural changes that keep listeners off balance in the best way. There's elegance here, but never solemnity; the overall impression is one of joy and theatrical wit.

Who it's for

Concert bands at the Grade 3 level seeking a character piece with genuine artistic merit and programmatic appeal. Directors programming festivals or pops concerts will find this overture works equally well in a formal concert or lighter setting. Students benefit from music that rewards musicianship and interpretive choice while remaining accessible to developing players.

How to get the most out of it

  • Keep the tempo brisk and maintain the lightness in articulation even in tutti sections; too much weight will bury the sprite-like quality that defines this piece.
  • Balance the melodic material carefully when it moves between upper and lower voices; each entrance should feel like a new conversational turn rather than a reinforcement of the previous phrase.
  • Encourage woodwinds to shape their lines with gentle dynamic contours; this overture thrives on nuance and air rather than projection.
  • Work the rhythm section to sit lightly behind the melodic writing; a crisp but understated foundation will enhance the buoyancy.

How to use it

This overture makes an ideal opener for a concert, especially one with a literary or theatrical theme. It pairs naturally with other character pieces or lighter fare, but also holds its own alongside more substantial works when you want to showcase your band's musicality and ensemble control. Consider programming it early in the school year when you're building confidence and unity in a developing group.

Skills your students will build

  • Dynamic control and light articulation in fast-moving passages
  • Transparent ensemble balance when melody shifts between sections
  • Shaping lyrical lines with gentle contours and breath
  • Maintaining rhythmic precision at a buoyant tempo
  • Interpreting character through orchestration and phrasing

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