Aragon 1945-1952 (Dance Suite): IV. Enchanted Cover Image

Aragon 1945-1952 (Dance Suite): IV. Enchanted: Concert Band Conductor Score

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Aragon 1945-1952 (Dance Suite): IV. Enchanted Cover Image

Aragon 1945-1952 (Dance Suite): IV. Enchanted: Concert Band Conductor Score

By Ira Hearshen

Grade: 4

Item: 36-50105212

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Description
The fourth movement of Ira Hearshen's suite of ballroom music is inspired by "Some Enchanted Evening," the most popular song by Rodgers and Hammerstein, which they wrote for the musical "South Pacific." It was recorded by many artists, most notably (during the Aragon era) Ezio Pinza, Perry Como, Frank Sinatra, Bing Crosby, Al Jolson, Jo Stafford, and Eddie Calvert.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296356-X
ISBN13: 978-1-68-296356-2
UPC: 654690456182
SKU: 36-50105212
Instrumentation: Concert Band

More about this title

About the Composer: Ira Hearshen

Ira Hearshen has built a distinctive catalog of concert band music that draws from American popular song and dance traditions. His suite 'Aragon 1945-1952' demonstrates his skill at transforming the vocabulary of mid-century ballroom culture into effective band writing, honoring the orchestrations and arrangements that defined an era of American music.

Why we love this

Hearshen taps into the golden age of American popular song without relying on a direct transcription; instead, he crafts original material inspired by the idiom, giving your band a chance to own the style rather than simply replay it. The movement sits at Grade 4, making it accessible enough for developing ensembles while demanding genuine musicianship in phrasing and balance. Programming a movement from a themed suite signals sophistication and gives concert flow a narrative arc.

What to expect

Romantic and wistful, suffused with the lushness of 1940s ballroom orchestration. The movement evokes candlelit dancing and the nostalgia of a beloved era, with harmonic warmth that feels both elegant and accessible.

Who it's for

Concert bands at the intermediate level seeking repertoire that bridges classical forms with American popular music traditions. Directors programming a full suite movement or building a concert around mid-century cultural touchstones will find this a natural fit.

How to get the most out of it

  • Balance the melody generously across the ensemble; this movement draws power from a singing line supported by warm harmonies, not from weight in the lower voices.
  • Shape phrases the way a vocalist would, with natural breath points and a legato sensibility that honors the ballroom music tradition the suite celebrates.
  • Let the rubato breathe without losing the underlying pulse; Hearshen's harmonic language suggests flexibility within a steady foundation.

How to use it

Consider pairing this with other movements from the Aragon Dance Suite for a thematic concert program, or slot it as a contrasting lyrical moment within a varied concert. It works equally well as a standalone selection when you need a piece that audiences recognize by feel even if they can't name the inspiration.

Skills your students will build

  • Phrasing and musical shaping at the ensemble level
  • Balancing melody and harmony in a lyrical context
  • Performing in the ballroom/popular music idiom
  • Maintaining legato articulation across extended passages
  • Responding to subtle tempo flexibility while preserving rhythmic integrity

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