Aquí Te Amo: SATB Choral Octavo
(Here I Love You)
Words by Pablo Neruda, music by Bruce W. Tippette
Item: 00-PO-0006876
$2.20
Minimum order quantity: 20 copies
Pickup currently not available
Description
Textured choral writing glides effortlessly over a graceful piano accompaniment in this elegant setting of the romantic text by Chilean poet and Nobel Prize-winner Pablo Neruda. Variations in tempo and contrasts in dynamics guide singers to a nuanced performance of a fully developed form, creating a complete musical story. The purity of Spanish vowels invites beautiful choral singing (phonetic and IPA pronunciation guide included). Exquisite. This title is available in MakeMusic Cloud.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Aquí Te Amo: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Open in the Player
Jump straight in and assign it today.
Start Your Free Trial
Open this title and explore the full library in minutes.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
Additional Details
Series:
Lawson-Gould
Publisher:
Alfred Music
Page Count:
16
SKU:
00-PO-0006876
More about this title
About the Composer: Bruce W. Tippette
Bruce W. Tippette studied composition at the University of North Carolina School of the Arts, where he earned his Master of Music, and at Appalachian State University, where he completed degrees in composition/theory and music education. His works have received performances across the globe, and he maintains an active commission practice serving choral and instrumental ensembles alike.
Beyond concert music, Tippette has composed for dance, film, and theater, including collaborative work with Cirque du Soleil and contributions to a children's musical. His orchestral work Unconquered won the 2012 Mary Starling Composition Competition and has been performed multiple times by the Winston-Salem Symphony. At the Community Music School of UNC School of the Arts, he teaches composition, theory, piano, and voice while serving as Youth Music and Handbell Director at Augsburg Lutheran Church.
Why we love this
Tippette's setting captures the intimacy of Neruda's romantic poetry without sacrificing musical sophistication. The textural variety and dynamic shaping keep singers engaged throughout a fully developed form, while the included pronunciation guide removes the barrier to authentic Spanish language performance. Directors will find this piece both emotionally resonant and immediately singable across mixed ability levels.
What to expect
Graceful and unhurried, this setting unfolds like a love letter set to music. The interplay between choir and piano creates moments of lush texture alongside passages of delicate transparency, inviting singers into the emotional world of Neruda's words.
Who it's for
Choirs seeking elegantly written secular repertoire that honors both poetry and vocal beauty will find this a natural fit for concert and festival programming. Intermediate to advanced ensembles benefit most from the piece's textural demands and dynamic sensitivity, though the writing remains accessible to organized choirs with solid fundamentals.
How to get the most out of it
- Shape the phrasing around the text's romantic arc rather than cadential points; Neruda's language drives the musical line forward across what might otherwise feel like phrase boundaries
- Attend to the tempo variations as structural markers that guide listeners through the musical story, not as surface ornaments; each shift should feel inevitable
- Balance the piano accompaniment carefully so it supports the choir's text delivery without overwhelming the language and vowel work that makes this piece shine
- Use the pronunciation guide early in rehearsal so singers can focus on musical nuance rather than accent concerns once learning is complete
How to use it
Program this alongside other Neruda settings or broader Latin American poetry cycles for a thematic concert arc. Its romantic character and moderate length make it an ideal closer for spring concerts or a centerpiece for chamber-scale choral recitals.
Skills your students will build
- Singing in Spanish with authentic vowel production and diction
- Interpreting tempo flexibility (rubato and variations) as an expressive tool
- Balancing section sonority across changing dynamics and textural density
- Sustaining long phrases while maintaining lyrical line and text clarity