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Appalachian Journey: Concert Band Conductor Score

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Appalachian Journey Cover Image

Appalachian Journey: Concert Band Conductor Score

Featuring Traditional Fiddle Tunes

By Brant Karrick

Grade: 3.5

Item: 00-49980S

$12.00
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Description
The Appalachians represented one of America's first frontiers, and frontier music became one of the first truly American forms of musical expression. Based on traditional fiddle tunes, Appalachian Journey combines four folk songs, providing players and the audience with a real toe-tapping treat! The melodies included are: "After the Battle of Aughrim" and "Lord Mayo I," both Irish in origin, and "Bonaparte Crossing the Rocky Mountains" along with "Whiskey Before Breakfast," adapted from the old-time fiddling tradition. (4:45)

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
ISBN10: 1-4706-5935-2
ISBN13: 978-1-4706-5935-6
UPC: 038081576619
SKU: 00-49980S

More about this title

About the Composer: Brant Karrick

Brant Karrick

Brant Karrick has shaped band programs as Director of Bands at Northern Kentucky University since 2003, where he oversees the full curriculum including conducting, instrumental methods, and music theory. Before joining the NKU faculty, he spent nine years teaching at the University of Toledo and seven years in Kentucky public schools, building deep experience across both higher education and secondary music instruction.

Karrick earned his Ph.D. in music education from Louisiana State University (1994), his Master of Arts from Western Kentucky University (1984), and his Bachelor of Music Education from the University of Louisville (1982). As a composer and arranger, his works have been performed across the United States, Canada, Europe, South Africa, South America, Japan, and Australia. He remains active as a guest conductor, clinician, and adjudicator, and holds memberships in NAFME, ASCAP, and the College Band Directors National Association.

Why we love this

Karrick captures the spirit of Appalachian fiddling with arrangements that stay true to the source material while giving every section something memorable to play. The blend of Irish and American frontier tunes creates an authentic regional flavor without requiring students to stretch beyond Grade 3.5 technique, making this an ideal choice for bands seeking genuine Americana that actually engages an audience.

What to expect

The piece radiates the energy and storytelling of frontier life through four distinct melodies woven together in a cohesive journey. You'll hear the rhythmic vitality of old-time fiddles translated into band color, creating a sound that is both warm and buoyant.

Who it's for

Concert bands at the high school or middle school level will find this score accessible and rewarding. The Grade 3.5 difficulty level allows younger ensembles to execute the music cleanly while still delivering the folk character and lyrical appeal that resonates with audiences.

How to get the most out of it

  • Bring out the fiddle articulation in the woodwind sections, especially the shorter note groupings that mimic bowing patterns. This keeps the energy light and prevents the melodies from becoming ponderous.
  • Balance the supporting lines carefully so the primary tune carries clearly. In a piece built on folk melodies, ensemble clarity matters more than blend.
  • Observe the rhythmic drive suggested by the toe-tapping character. These tunes thrive with forward momentum rather than excessive legato treatment.
  • Use the recorded accompaniment or reference recordings of traditional fiddle versions to internalize the authentic rhythmic feel before rehearsals begin.

How to use it

Program this as a concert centerpiece when you want to highlight American musical heritage or regional history. It pairs well with patriotic programming and works equally effectively as a festival selection, where the authentic folk character and clean execution at Grade 3.5 will stand out among the typical contest repertoire.

Skills your students will build

  • Articulation and rhythmic precision in scalar and arpeggio figures
  • Balancing tutti ensemble texture while maintaining phrase clarity
  • Interpreting stylistic elements of folk music (understanding rhythm and phrasing beyond written notation)
  • Reading and executing multiple melodic lines with independent part awareness

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