Anyway: SAB Choral Octavo
Words and music by Martina McBride, Brad Warren, and Brett Warren / arr. Greg Gilpin
Item: 00-PO-0001462
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Martina McBride
Martina McBride built her career on anthems of resilience and emotional directness. Her 1994 breakthrough came with "Independence Day," a song that announced her gift for finding the universal in personal struggle. Over three decades as a recording artist, she has sold millions of albums and earned multiple Grammy and Academy of Country Music Awards, establishing herself as one of country music's most distinctive voices.
Why we love this
Greg Gilpin's arrangement captures the song's inherent optimism without sentimentality. The SAB voicing sits comfortably for mixed choirs of varying experience levels, and the message of perseverance through difficulty resonates far beyond country radio—it's exactly what your singers need to sing together at year's end.
What to expect
Honest and encouraging without being saccharine. The melody sits in a conversational register, and the harmonic language feels open and resolved. This is a song that lets singers feel the lift of their own voices working together.
Who it's for
Choirs looking for uplifting, singable repertoire that works with SAB voicing. This arrangement works equally well for high school groups, community choirs, and college ensembles at less advanced levels. The emotional accessibility and motivational text make it ideal when you need a closing number that lands with genuine warmth.
How to get the most out of it
- Let the recorded accompaniment drive the tempo and harmonic foundation; use it in rehearsal to establish the groove before pulling back for live performance.
- Shape the repeated phrase "anyway" as a refrain that gains weight and conviction each time it returns. The repetition is intentional, so make it matter.
- Balance the soloists or small-group moments against the full ensemble; this song works best when both textures feel earned.
- Keep the middle section buoyant. The harmonic movement wants to lift, not drag.
How to use it
Reserve this for spring or year-end concerts where it can anchor a set of uplifting music. It pairs well with other contemporary pop or country arrangements and works equally effectively as a finale or as part of a thematic program about resilience and hope.
Skills your students will build
- Sustaining long melodic phrases across multiple harmonic changes
- Balancing SAB voicing in contemporary pop arrangements
- Blending unison and divisi sections seamlessly
- Interpreting contemporary lyrical phrasing and storytelling in choral context