Anyway Cover Image

Anyway: SATB Choral Octavo

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Anyway Cover Image

Anyway: SATB Choral Octavo

Words and music by Martina McBride, Brad Warren, and Brett Warren / arr. Greg Gilpin

Item: 00-38227

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Description
Martina McBride's #1 single from her album Waking Up Laughing is the ultimate uplifting ballad, especially for year-end concerts. "Build it anyway . . . Dream it anyway . . . Believe it anyway . . . Love 'em anyway . . . Sing it anyway."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Anyway: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081426983
SKU: 00-38227

More about this title

About the Composer: Martina McBride

Martina McBride built her career on powerful, emotionally resonant ballads that resonate across country, pop, and adult contemporary radio. Known for her impressive vocal range and her ability to connect deeply with lyrics about resilience and hope, McBride has earned multiple Grammy nominations and established herself as one of country music's most consistent hitmakers since the 1990s. Her songwriting, often crafted in collaboration with accomplished tunesmiths like Brad and Brett Warren, centers on themes of perseverance and human connection that translate naturally to choral settings.

In the classroom and concert hall, McBride's music offers choral directors access to contemporary material that students recognize and care about while maintaining genuine musical substance. Her melodies sit well for singers across ability levels, and her lyrics resonate with audiences of all ages, making her work particularly effective for year-end concerts and community performances where emotional connection matters as much as technical execution.

Why we love this

This arrangement captures what makes 'Anyway' so affecting in the first place: that quiet, building determination in the lyrics paired with a melody that grows from introspective to anthemic. Greg Gilpin's four-part writing honors the song's emotional arc without overcomplicating it, which means your singers stay focused on communication rather than technical survival. It's the kind of piece that reminds audiences why they came to hear your choir.

What to expect

The opening settles into a reflective space, honest and intimate. As verses unfold, an undercurrent of quiet strength builds, and by the time the full ensemble arrives at the title phrase, the piece has transformed into something affirming without ever losing its sincerity. There's resilience in these harmonies, but also vulnerability; the two exist together.

Who it's for

Directors programming year-end or spring concerts need repertoire that moves audiences and engages singers emotionally. This octavo works equally well for high school choirs seeking contemporary material with real substance and community choirs looking for music that feels current without sacrificing singability. The range and accessibility make it suitable for mixed ensembles of varying experience levels.

How to get the most out of it

  • Shape the opening phrases with restraint. The power of 'Anyway' comes from understatement early on; resist the urge to add volume or intensity until the text and melody naturally ask for it.
  • Balance the parts carefully during overlapping sections so individual voice lines remain audible. This arrangement thrives on clarity of texture, not thickness of sound.
  • Lean into the conversational quality of the lyric. These aren't abstract sentiments; they're choices someone is actively making. Let that sense of resolve breathe through your phrasing.
  • Use the recorded accompaniment to lock in the song's rhythmic pocket, particularly in the verses where the groove is subtle but essential to the song's identity.

How to use it

Position this as a closer or near-closer in a concert where emotional resonance matters. It pairs naturally with other contemporary pop arrangements or can stand alone as a statement piece. The uplifting message makes it especially effective for year-end concerts, spring celebrations, or any program focused on hope and perseverance.

Skills your students will build

  • Balancing independent melodic lines within a four-part texture
  • Phrasing contemporary pop music with emotional authenticity
  • Sustaining legit vowels through sustained notes in a contemporary idiom
  • Interpreting lyrics as active choices rather than abstract statements
  • Singing with the rhythmic precision and groove of contemporary music

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