Anything Goes (from the musical Anything Goes): Choral SoundPax

Philip Kern's arrangement captures the swagger and sophistication of the original without losing the tune's infectious appeal. The SoundPax format with rhythm section and saxes gives your choir that Broadway sheen while keeping the focus on vocal blend and musicality. This is a showstopper that doesn't require a pit orchestra to shine.

Buoyant and clever, with a rhythm section that propels everything forward. The melody sits comfortably in your choir's voice while the harmony underneath suggests complexity without pretension. It's the sound of a room full of singers who know how to lock in together.

Intermediate to advanced high school and college choirs looking for a confident opener or closer with real musical substance. Directors who want their singers to connect with genuine American standards while gaining exposure to jazz-inflected harmony and swing-era phrasing.

• Balance the sax section against your choir so the horns enhance rather than cover the vocal line. They're part of the groove, not the main event.
• Lock into the rhythmic pocket of the rhythm section early in rehearsals. Porter's syncopation demands precision without sounding rigid.
• Shape the phrase arcs generously. These melodies breathe, and singers who rush the tempo or flatten the dynamics lose the song's personality.
• Work the recorded accompaniment into your final rehearsals once the choir knows the part well. The playback will anchor timing and add energy to your interpretation.

Open a pops concert or spring show with this. It sets an immediate tone of style and confidence, and audiences recognize it instantly. Pair it with other standards or contemporary pop to build a cohesive first half.

• Syncopated rhythm reading in Broadway style
• Balance and blend with jazz harmony
• Phrasing in popular song idiom
• Intonation in extended harmonies (jazz chords)
• Rhythmic precision with rhythm section
• Sustained vowels and legit belt coordination