Antisphere Cover Image

Antisphere: Full Scores

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Antisphere Cover Image

Antisphere: Full Scores

for Orchestra

By Emily Howard

Item: 98-EP73424

$90.00
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Description

Emily Howard's Antisphere, for orchestra, sonically guides the listener on a 17-minute apocalyptic journey around the mathematical shape after which the piece is named. Described by The Times as “sensual – yet diffuse”, the piece makes extensive use of percussion (5 players) and was commissioned by the Barbican Centre for the London Symphony Orchestra and Sir Simon Rattle. Antisphere forms part of an orchestral trilogy with sphere (EP73343) and Torus (EP73341).

This A3 Full Score is available to buy as part of the Peters Contemporary Library series. Performance materials are available to hire.

  • Peters Contemporary Library
  • A3 Full Score
  • Orchestral work with 5 percussionists
  • Orchestral work derived from mathematical shapes
  • Duration: 17 minutes


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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 52
ISBN10: 0-57-701867-1
ISBN13: 979-0-57-701867-6
SKU: 98-EP73424

More about this title

About the Composer: Emily Howard

Emily Howard is a British composer whose work draws on mathematics, physics, and natural systems to create immersive orchestral experiences. Her compositions are known for their precise structural architecture combined with sensory richness, earning performances from leading ensembles including the London Symphony Orchestra and the BBC Philharmonic.

Why we love this

Antisphere offers conductors a substantial contemporary work that demands serious attention to orchestral balance and color while remaining structurally coherent and dramatically engaging. The mathematical foundation gives the piece intellectual rigor, while the extended percussion section and sonically adventurous writing ensure that players and audiences experience something genuinely contemporary without sacrificing musical coherence.

What to expect

Antisphere unfolds as a contemplative yet unsettling soundscape, shaped by the mathematical properties of its titular form. The writing evokes a kind of sonic architecture where sound itself becomes the landscape—sensual and immersive, yet deliberately fragmented, creating an apocalyptic atmosphere without resorting to obvious dramatic gestures.

Who it's for

This work is essential for orchestras and conductors interested in contemporary classical repertoire with genuine intellectual substance. Advanced student orchestras with strong percussion sections and conductor experience will find the challenge rewarding, while professional ensembles will appreciate its distinctive voice within the modern orchestral canon.

How to get the most out of it

  • Study the mathematical proportions that govern the piece's structure; understanding the architecture helps conductors shape long phrases and maintain architectural integrity across the 17-minute span.
  • Coordinate closely with your five percussionists during rehearsal to ensure their independent material locks into the larger orchestral texture rather than sitting on top of it.
  • Balance the string writing carefully in passages where it functions as both harmonic foundation and textural element; the score's diffuse quality requires precise dynamic control rather than aggressive projection.

How to use it

Program Antisphere as the centerpiece of a contemporary music concert or as part of a thematic program exploring mathematics and music. Its 17-minute duration works well alongside other substantial contemporary works, and its connection to Howard's orchestral trilogy (Sphere and Torus) invites programming strategies that engage audiences with the composer's larger body of work.

Skills your students will build

  • Reading complex contemporary notation and unconventional instrumental techniques
  • Balancing independent percussion voices with orchestral texture
  • Sustaining focus and ensemble cohesion across extended forms without traditional harmonic landmarks
  • Understanding compositional structure based on mathematical principles
  • Interpreting subtle dynamic and timbral shifts in minimally marked scores

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