Another Op'nin', Another Show (from Kiss Me, Kate): 3-Part Mixed Choral Octavo

Teena Chinn's arrangement captures the infectious energy and theatrical swagger of Porter's original number without overwhelming young singers. The 3-part voicing sits comfortably in the moderate range, allowing choirs to focus on the style, rhythm, and joy of the song rather than struggling with stretched passages. For a concert opener, this delivers immediate audience engagement and demonstrates that your choir can handle Broadway repertoire with confidence.

Confident, upbeat, and unapologetically theatrical. The number bounces forward with the anticipatory energy of curtain-up, blending Porter's jazzy harmonic language with straightforward 3-part writing that feels fresh and modern.

This arrangement suits developing choirs in grades 4-9 who are ready to tackle popular music with theatrical flair. It works equally well for adult community ensembles seeking accessible contemporary repertoire that audiences recognize and enjoy.

• Establish a crisp, conversational rhythmic style. Porter's theatrical language depends on clear articulation and bounce, so avoid dragging the steady eighth-note accompaniment.
• Shape the three-part voicing as distinct characters rather than blended blocks. The SAB texture works best when each line has identity and presence.
• Lean into the comedic attitude of the lyric. The song's humor lands when singers commit to the performer's energy, not just the notes.

Open a concert with this to set a light, entertaining tone and immediately connect with your audience. It pairs naturally with other Porter standards or other Broadway selections in a pops concert, or stand alone as a show-stopping opening number that demonstrates your choir's versatility.

• Singing in American musical theater style with rhythmic clarity and articulation
• Balancing three independent vocal lines with different melodic and rhythmic material
• Interpreting text with character and comedic timing
• Maintaining ensemble cohesion across SAB voicing while preserving individual line identity