Another Day of Sun: SAB Choral Octavo
Music from the Motion Picture La La Land
Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul / arr. Jacob Narverud
Item: 00-PO-0005703
Minimum order quantity: 20 copies
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More about this title
About the Composer: Justin Hurwitz
Justin Hurwitz has established himself as one of contemporary film's most distinctive composers, with a gift for crafting scores that blend orchestral sophistication with immediate melodic appeal. His work on La La Land (2016) earned widespread recognition, demonstrating his ability to write music that serves both narrative and pure musical storytelling, making his compositions valuable resources for educators seeking repertoire that engages singers through contemporary, culturally relevant material.
Why we love this
Narverud's arrangement preserves the infectious optimism and rhythmic energy of the original while making it completely achievable for SAB voicing. The piece offers genuine choreography potential without requiring extensive dance experience, and its programming flexibility means you can open your concert with infectious joy or close it with an unforgettable lift.
What to expect
Exuberant and unstoppable. The piece captures that moment of pure possibility and movement, with surging rhythms and bright harmonies that make singers want to move. It's optimistic without being saccharine, propulsive without being exhausting.
Who it's for
Choirs seeking contemporary, concert-ready repertoire with immediate appeal to audiences. The SAB voicing makes it accessible to mixed ensembles with limited alto or tenor sections, while the energetic character and choreography potential engage singers of all levels.
How to get the most out of it
- Keep the rhythmic drive consistent throughout; this piece needs forward momentum to capture the freeway energy. Lock the ensemble on the steady pulse, especially in the rhythmic unison sections where precision pays off.
- Layer your dynamics intentionally. The score offers multiple texture changes, so highlight them through clear dynamic contrast rather than singing everything at the same volume.
- Experiment with optional choreography early in rehearsal. Even simple movement in the tutti sections can energize the singers and show them how the music's rhythmic vitality translates to physicality.
- Balance the recorded accompaniment carefully in rehearsal and performance. This arrangement has substantial harmonic and rhythmic complexity in the piano part that supports rather than drowns out the voices.
How to use it
Open a concert with this and set an energetic, contemporary tone for what follows. Alternatively, close a program with it to send the audience out on a high note of infectious joy. It also works beautifully in a show choir or pop ensemble context, or as part of a film music or contemporary music showcase.
Skills your students will build
- Rhythmic precision in syncopated and driving rhythmic patterns
- Maintaining ensemble blend across changing choral textures
- Coordinating singing with choreography and stage movement
- Balancing unison passages with part singing transitions
- Sustaining energy and dynamic control across a lengthy, fast-paced arrangement