Another Day of Sun Sheet Music Preview

Another Day of Sun: SATB Choral Octavo

Music from the Motion Picture La La Land

Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul / arr. Jacob Narverud

Item: 00-PO-0005702

Digital Download
$2.30

Minimum order quantity: 20 copies

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Description
Here's the optimistic opening number from La La Land. Who can forget those boisterous singing and dancing motorists on L.A.'s jammed 110 freeway at the start of the 2016 box office smash? This dynamic arrangement captures the excitement of the score with rhythmic drive, varied choral textures, and a rousing accompaniment. A perfect opener or closer, and a golden opportunity for choreography!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
SKU: 00-PO-0005702

More about this title

About the Composer: Justin Hurwitz

Justin Hurwitz is a composer whose work across film and television has earned him widespread recognition in contemporary music. His score for La La Land (2016) became a cultural phenomenon, earning an Academy Award nomination and establishing him as a leading voice in modern film scoring. His music blends orchestral sophistication with accessibility, making it natural material for choral arrangements that engage both singers and audiences.

Why we love this

Jacob Narverud's arrangement transforms a film score into something that sings brilliantly for choral voices while preserving the infectious energy of the original. The rhythmic vitality and varied textures give every section moments to shine, and the built-in visual potential makes this a genuine showstopper for concert programming.

What to expect

Exuberant and cinematic. The piece captures that specific moment of commuters breaking into spontaneous joy on a gridlocked freeway, channeling optimism and unbridled energy. You'll hear bright harmonies, rhythmic snap, and orchestral color that makes singers feel like they're part of something big.

Who it's for

Choirs at the intermediate to advanced level who want contemporary repertoire with immediate appeal. This works equally well for high school choirs, community ensembles, and collegiate groups seeking material that engages audiences without sacrificing musical substance.

How to get the most out of it

  • Maintain forward momentum through the rhythmic sections; these motorway revelers have somewhere to be. The accompaniment drives the song, so lean into its pulse rather than fight it.
  • Shape the dynamic peaks and valleys deliberately. With 20 pages of material, contrast between sections keeps the energy from becoming one-note.
  • Consider what your choreography will do with the opening and closing gestures. This piece practically asks for physical storytelling, so blocking early gives your singers a clear dramatic arc.
  • Balance the recorded accompaniment carefully during rehearsal so singers hear their own blend. Once you perform, the full orchestration should support without overwhelming the choir.

How to use it

Program this as an opener to set an uplifted, contemporary tone for your concert, or close with it for a send-off that leaves the audience smiling. It pairs naturally with other pop-influenced choral arrangements or works as a standalone statement of modern choral music.

Skills your students will build

  • Rhythmic precision in syncopated accompaniment patterns
  • Blend and balance across SATB texture changes
  • Sustaining energy through extended melodic phrases
  • Interpreting film-derived material with dramatic intention
  • Coordination with recorded accompaniment

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