Anna Bolena: Act I, Scene and Duet: Fama! Si l'avrete (mezzo, bass) (excerpt) Cover Image

Anna Bolena: Act I, Scene and Duet: Fama! Si l'avrete (mezzo, bass) (excerpt): Serious Opera, Full Orchestra Accompaniment Conductor Score

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Anna Bolena: Act I, Scene and Duet: Fama! Si l'avrete (mezzo, bass) (excerpt) Cover Image

Anna Bolena: Act I, Scene and Duet: Fama! Si l'avrete (mezzo, bass) (excerpt): Serious Opera, Full Orchestra Accompaniment Conductor Score

By Gaetano Donizetti

Item: 36-A478801

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Description
The tragic two-act opera, Anna Bolena, recounts the life of King Henry VIII's second wife, Anne Boleyn, and is one of four Gaetano Donizetti (1797-1848) operas depicting the Tudor period in English history. "Fama!Si l'avrete" is sung near the beginning of the opera. After Anne Boleyn expresses concern that her husband, King Henry (Enrico) VIII, has fallen in love with another woman, Jane (Giovanna) Seymour and the king sing a duet that confirms the queen's suspicions, with the king promising Jane Seymour that she will replace Anne Boleyn. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str(4-4-3-3-3 in set).

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887784-X
ISBN13: 978-1-63-887784-4
UPC: 735816379872
SKU: 36-A478801
Instrumentation: Serious Opera, Orchestra Accompaniment

More about this title

About the Composer: Gaetano Donizetti

Gaetano Donizetti (1797-1848) was one of the most prolific composers of the bel canto era, writing nearly 70 operas across his career. His melodic gift and gift for dramatic pacing made him a rival to Rossini and Bellini, and his works remained central to the operatic repertoire long after his death. Four of his operas engage with English Tudor history, a fascination that shaped some of his most compelling dramatic work.

Donizetti's theatrical instincts were sharp. He understood how to build tension through duets, how to give singers music that sits naturally in the voice, and how to use the orchestra to heighten emotional stakes. These skills are on full display in Anna Bolena, which premiered in Milan in 1830 and remains one of his masterpieces.

Why we love this

This duet captures a pivotal dramatic moment with surgical precision. Donizetti gives the mezzo-soprano and bass completely different musical material, allowing their voices to cut through the orchestral texture independently while still creating a coherent dramatic whole. The excerpt is substantial enough to showcase dramatic singing and ensemble work without requiring a full-length opera production.

What to expect

The duet pulses with tension and conviction. Donizetti's melodies are direct and emotionally clear, moving forward with the relentless momentum of a dramatic confrontation. The orchestration supports without overwhelming, giving the singers space to project their voices while the instruments reinforce the psychological stakes of the moment.

Who it's for

Operatic mezzo-sopranos and bass singers with solid technique and experience in Italian opera. This conductor score is designed for music directors leading a full orchestra; it works best in settings where singers have already been cast and are ready to prepare the excerpt with orchestral support.

How to get the most out of it

  • Balance the voices carefully in rehearsal. The mezzo and bass are both singing important material simultaneously, and neither should disappear into the accompaniment. Work with the conductor to establish clear entrances and a steady pulse that lets each singer breathe.
  • Pay attention to the Italian text and its emotional content. Anne Boleyn's anxiety and the king's confident betrayal require different vocal colors and phrasing; let the meaning of the words shape your interpretive choices.
  • Coordinate with the orchestra on dynamics and tempo rubato. Donizetti's orchestration is detailed and responds to the singers' phrasing, so the conductor will need rehearsal time to align the ensemble with your vocal line.

How to use it

This duet works well as part of an opera showcase or scene concert where singers perform highlighted moments from major works. It also pairs naturally with other Donizetti excerpts or other bel canto opera selections, allowing audiences to experience the dramatic power of 19th-century Italian opera without a full production. The duet's length makes it a substantial concert piece on its own.

Skills your students will build

  • Sustained legit singing in a dramatic operatic context
  • Maintaining vocal line independence when singing simultaneously with another part
  • Interpreting Italian text with attention to emotional nuance
  • Responding to conductor gesture and ensemble timing in a full orchestral setting
  • Projection and breath management across longer vocal phrases

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