Angels We Have Heard On High Cover Image

Angels We Have Heard On High: Concert Band Conductor Score

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Angels We Have Heard On High Cover Image

Angels We Have Heard On High: Concert Band Conductor Score

Arranged by John M. Pasternak

Grade: 3.5

Item: 98-RWS191601

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Description
This rock and roll-inspired version of "Angels We Have Heard On High" is sure to leave audiences tapping their toes and singing along. This upbeat arrangement of the classic carol by John Pasternak provides a unique and accessible addition for any holiday concert program. A great chart!

Original Item#: RWS-1916-01

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-9666-5
ISBN13: 978-1-4706-9666-5
UPC: 038081612515
SKU: 98-RWS191601

More about this title

About the Arranger: John M. Pasternak

John M. Pasternak has built a career writing accessible, energetic arrangements for school bands. His work across the RWS catalog demonstrates a consistent knack for taking familiar melodies and reimagining them in ways that engage both musicians and audiences without compromising musical integrity.

Pasternak understands what works in the rehearsal room and on stage. His arrangements land solidly in the playable middle ground, where grade 3 and 3.5 groups can sound polished and confident without spending weeks on technical challenges.

Why we love this

This arrangement cuts through the sweetness typically associated with carol settings and instead gives your band permission to swing. Audiences will recognize the melody instantly, but the rock and roll energy makes this feel fresh rather than obligatory on a holiday program. Your students get to play something with real groove while still delivering the carol's emotional core.

What to expect

This version maintains the carol's underlying warmth while infusing it with an infectious, foot-tapping energy. The rock and roll sensibility gives the familiar melody a sense of playfulness and momentum that makes people want to move.

Who it's for

Grade 3.5 concert bands that want a holiday piece with personality and forward momentum. This works especially well for programs pairing traditional carol reverence with contemporary arrangements, or for directors who've noticed their audiences respond to upbeat selections.

How to get the most out of it

  • Keep the rhythm section locked and driving. The groove lives in the pocket, so make sure your drums and bass aren't rushing through the beat.
  • Balance melodic clarity against the supporting figures. With a rock-inspired arrangement, clarity becomes more important, not less.
  • Shape the final chorus to build energy. Let the band swell gradually through the last statement of the melody rather than hitting full volume all at once.
  • Use the dynamic markings as your roadmap for phrasing. This chart uses them to guide the narrative arc, not just to indicate volume.

How to use it

Reserve this for the second half of your holiday concert to energize the room after quieter, more reverent pieces. It pairs well alongside both traditional and contemporary arrangements, offering the audience a change of pace that feels earned rather than jarring.

Skills your students will build

  • Maintaining steady groove against syncopated figures
  • Playing with stylistic awareness (understanding rock vs. classical sensibilities)
  • Balancing ensemble blend when melody fragments across sections
  • Responding to dynamic shaping that serves narrative rather than technical display

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