Angels We Have Heard On High: Concert Band Conductor Score & Parts
Arranged by John M. Pasternak
Grade: 3.5
Item: 98-PK-RWS1916
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
Original Item#: RWS-1916-00
Angels We Have Heard On High: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: John M. Pasternak
John M. Pasternak is a prolific composer and arranger whose work spans concert band, wind ensemble, and orchestral settings. His arrangements are known for bringing fresh energy to familiar melodies while maintaining accessibility for student musicians, making him a trusted voice in school music programming.
Why we love this
Pasternak's rock and roll treatment transforms a beloved carol into something that feels contemporary without losing its melodic identity. The Grade 3.5 scoring means your band can execute this with confidence while still delivering genuine musical impact, and audiences respond immediately to the rhythmic drive and infectious groove.
What to expect
Driving and celebratory, with the familiar melody grounded in a modern rock beat that invites movement and participation. The arrangement balances the carol's reverent roots with a buoyant energy that feels current and approachable.
Who it's for
Directors programming their December concert who want to reach beyond traditional carol treatments and engage audiences with a contemporary sound. Band musicians at the Grade 3.5 level will find this arrangement rewarding to play, with scoring that sits comfortably in their range and technical abilities.
How to get the most out of it
- Establish a steady backbeat in the rhythm section; lock the kick drum and bass line together to anchor the rock energy throughout.
- Balance the melody so it rises above the accompaniment figures without forcing it; let the arrangement's texture do the work.
- Keep articulations clean and precise in the ensemble passages; rock style demands clarity even when the groove is relaxed.
- Bring out supporting lines in the middle voices to add depth; this arrangement rewards attention to inner voice independence.
How to use it
Program this as a concert opener or closer to set an upbeat tone for your holiday performance; its accessibility and crowd appeal make it an excellent anchor piece. Pair it with one traditional carol arrangement to show range, or use it to bookend a medley of holiday material in different styles.
Skills your students will build
- Executing steady rhythmic grooves in rock/contemporary styles
- Balancing melody and accompaniment in ensemble textures
- Clean articulation in fast-moving rhythmic figures
- Reading and performing syncopated rhythmic patterns