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Andante Festivo (Op. 117a): String Orchestra Conductor Score & Parts

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Andante Festivo (Op. 117a) Cover Image

Andante Festivo (Op. 117a): String Orchestra Conductor Score & Parts

By Jean Sibelius

Item: 36-A570290

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Description
Originally composed in 1922 for string quartet, ANDANTE FESTIVO was arranged by Jean Sibelius for string orchestra and timpani in 1938 when New York Times critic Olin Downes requested him to "conduct a piece of music as Finland's greeting to the world in a radio broadcast to celebrate the New York Wold Exhibition." The first performance took place in a direct radio broadcast on January 1 1939 by the Finnish National Radio Orchestra, conducted by the composer himself, the only recorded example of the composer interpreting one of his own works. Hymnlike in nature, the music is constructed as a smooth, continuous stream of similar melodic phrases that flow into and out of each other. Combining a rich sonority with a sense of poignance, the work projects an almost religious statement in a world before the Second World War. While no opus number was assigned by the composer, it is commonly referred to as Op. 117a.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 746241238153
SKU: 36-A570290
Instrumentation: String Orchestra

More about this title

About the Composer: Jean Sibelius

Jean Sibelius (1865-1957) stands as Finland's most influential composer and one of the central figures of late 19th and early 20th-century orchestral music. His symphonies, tone poems, and chamber works expanded the expressive possibilities of orchestral color while drawing deeply from Finnish national identity and landscape. Sibelius composed across genres throughout his career, yet his legacy in music education centers on works that balance lyrical warmth with architectural clarity, making his music both accessible to young musicians and revelatory to experienced ensembles.

Why we love this

Andante Festivo carries the weight of history. A piece Sibelius arranged and conducted himself for a broadcast heard around the world, it offers your orchestra a direct connection to one of orchestral music's greatest voices. The hymnlike construction and continuous melodic flow create an almost meditative quality that rewards disciplined listening and refined ensemble balance, making it as rewarding to conduct as it is powerful to perform.

What to expect

Andante Festivo unfolds like a solemn procession, each melodic idea emerging from and dissolving into the next in a hypnotic stream. There is warmth here, but also restraint; the harmonic language suggests both reverence and a quiet ache. The addition of timpani in the orchestral version deepens the sense of ceremony without shattering the prevailing calm.

Who it's for

String orchestras seeking repertoire with genuine artistic weight and historical significance will find a masterpiece here. This work suits advanced high school orchestras and collegiate ensembles equally well; it demands solid intonation, balanced ensemble sound, and mature phrasing, but rewards those efforts with music of profound dignity.

How to get the most out of it

  • Shape the continuous melodic phrases as breathing units rather than isolated gestures; the piece flows most naturally when each phrase grows organically from the last without artificial resets.
  • Balance the string parts carefully so that harmonic color rather than individual voice prominence carries the emotional arc, particularly in the inner parts where the texture deepens.
  • Allow some flexibility in tempo to honor the natural ebb and flow of the phrases, resisting the urge to keep a metronomic pulse that would undermine the work's almost devotional character.
  • Attend to the timpani line as a structural anchor; it enters strategically to reinforce key moments and should sit slightly below the string texture rather than asserting rhythmic prominence.

How to use it

This piece commands respect as a standalone work on a concert program, particularly in a spring finale concert where its emotional weight can resonate without competing for attention. It also pairs beautifully with other 20th-century string works or with Sibelius's own symphonic writing as part of a composer-focused program.

Skills your students will build

  • Sustaining long melodic phrases with consistent vibrato and tone quality
  • Balancing inner harmonic voices to enhance color without losing clarity
  • Responding to subtle expressive gestures and flexible tempo without losing ensemble cohesion
  • Understanding orchestral arrangement: how a chamber work (the original string quartet) transforms when expanded for larger forces

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