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Andante Festivo (Op. 117a): Conductor Score

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Andante Festivo (Op. 117a) Cover Image

Andante Festivo (Op. 117a): Conductor Score

By Jean Sibelius

Item: 36-A570201

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Description
Originally composed in 1922 for string quartet, ANDANTE FESTIVO was arranged by Jean Sibelius for string orchestra and timpani in 1938 when New York Times critic Olin Downes requested him to "conduct a piece of music as Finland's greeting to the world in a radio broadcast to celebrate the New York Wold Exhibition." The first performance took place in a direct radio broadcast on January 1 1939 by the Finnish National Radio Orchestra, conducted by the composer himself, the only recorded example of the composer interpreting one of his own works. Hymnlike in nature, the music is constructed as a smooth, continuous stream of similar melodic phrases that flow into and out of each other. Combining a rich sonority with a sense of poignance, the work projects an almost religious statement in a world before the Second World War. While no opus number was assigned by the composer, it is commonly referred to as Op. 117a.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887349-6
ISBN13: 978-1-63-887349-5
UPC: 660355090240
SKU: 36-A570201
Instrumentation: String Orchestra, Timpani

More about this title

About the Composer: Jean Sibelius

Jean Sibelius (1865-1957) was a Finnish composer whose symphonic and orchestral works defined the sound of Nordic nationalism in the early twentieth century. His mastery of orchestration and gift for long, singing melodic lines made him one of the most performed symphonic composers of his era. Sibelius conducted his own works throughout his career, and his 1939 radio broadcast of Andante Festivo remains a singular document of a major composer interpreting his own music.

Why we love this

This is one of the rare orchestral works where we hear Sibelius himself conducting a premiere, lending the score an unmistakable authority. The arrangement from string quartet to full string orchestra with timpani opens up rich harmonic possibilities while preserving the intimate hymnal quality of the original, making it an ideal choice for conductors seeking a work of genuine substance that resonates with both audience and players. The continuous flow of interconnected phrases rewards careful attention to sectional balance and voice leading, offering meaningful interpretive challenges without technical extremity.

What to expect

Andante Festivo unfolds like a solemn benediction, with hymnal phrases that emerge, overlap, and recede into one another in a seamless stream. The work projects dignity and quiet nobility, evoking both reverence and a subtle melancholy that feels prophetic given its composition on the eve of World War II. Beneath the serene surface runs an undercurrent of longing, expressed through Sibelius's characteristic harmonic language and the subtle weight of the timpani.

Who it's for

Conductors leading intermediate to advanced string orchestras seeking a work of historical significance and emotional weight. This score works well for ensembles with secure intonation and the maturity to sustain long lines with poignance and restraint.

How to get the most out of it

  • Shape the long melodic phrases as though they were vocal lines. Think of each section's melody as breathing and singing rather than simply playing written notes; this approach unifies the piece's hymnal character.
  • Balance the strings carefully so that inner voices support without drowning out the primary melodic strand. Sibelius's orchestration depends on transparent layering, especially where similar phrases overlap between sections.
  • Use timpani sparingly and with restraint. The timpani enter as a solemn underpinning to the string texture, not as rhythmic punctuation; let the instrument suggest ceremonial gravity without calling attention to itself.
  • Maintain consistent forward motion even at the moderate tempo. The music's sense of continuity comes from thoughtful phrasing and inevitable harmonic progression, not from rushing or dragging.

How to use it

Program this as an opening or closing work when you want to establish a reflective, ceremonial mood for your concert. Its moderate length and accessibility make it an excellent pairing with longer Romantic-era string works, or it can anchor a program exploring early twentieth-century European nationalism. The historical significance of the original 1939 broadcast offers compelling program notes that deepen audience engagement with a world on the brink of transformation.

Skills your students will build

  • Sustained legato playing with consistent tone quality across long phrases
  • Balance and blend within string sections, particularly managing inner voice independence
  • Intonation refinement in extended harmonic progressions and sus4 sonorities
  • Responding to subtle conducting gestures for phrasing and sectional transitions
  • Interpreting rubato and tempo flexibility within a hymnal, non-metered aesthetic

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