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Andalucia Suite: Full Orchestra Conductor Score and Parts

$130.00 USD
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Andalucia Suite Cover Image

Andalucia Suite: Full Orchestra Conductor Score and Parts

By Ernesto Lecuona, arr. Gordon Jenkins

Item: 36-A848902

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Description
Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are complete in this arrangement, as are Gitanerias and Cordoba. The final two melodies, Guadalquivir and Alhambra, are not nearly as well-known but delight listeners and players alike. The main strains of Guadalquivir are included in this arrangement, though it has been cut somewhat. However, only a brief portion of Alhambra, admittedly the most difficult part of the Suite, is to be found. An Advanced Violins part has been printed to offer more brilliance to the arrangement. This may be used in conjunction with the regular violin parts or may even replace Violin I and Violin II entirely. The exact situation in each orchestra will determine the proper selection of parts for Advanced Violins, Violin I and Violin II. Instrumentation: 2(1dPicc).2.2.2: Asax.Tsax: 4.2.3.0: Timp.Perc: Gtr: Str (9-8-7-6-5 in set; incl advanced Vn).

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Additional Details
Series: Kalmus Symphonic Pops
Publisher: Keiser Productions, Inc.
UPC: 746241274328
SKU: 36-A848902
Instrumentation: 2(1dPicc).2.2.2: Asax.Tsax: 4.2.3.0: Timp.Perc: Gtr: Str (9-8-7-6-5 in set; incl advanced Vn)

More about this title

About the Composer: Ernesto Lecuona

Ernesto Lecuona (1895, 1963) was a Cuban composer and pianist whose gift for melody and orchestration made him one of the most performed Latin American classical composers of the 20th century. His works blend European romantic traditions with the rhythmic vitality and harmonic color of Cuba, creating music that appeals equally to concert halls and popular audiences.

Lecuona's compositional output spans piano works, orchestral suites, zarzuelas, and songs. The Andalucia Suite stands among his most enduring creations, showcasing his ability to craft memorable themes that remain in listeners' minds long after the final note. For music educators, his music offers an accessible entry point into Latin American classical composition without sacrificing musical substance or orchestral sophistication.

Why we love this

Gordon Jenkins' orchestration preserves every ounce of Lecuona's melodic gift while giving your orchestra room to shine. The optional Advanced Violins part lets you scale the string writing to match your ensemble's strengths, and the inclusion of saxophone and guitar alongside traditional orchestration creates a distinctive sonic character that audiences find immediately appealing. Programs built around these six contrasting movements deliver both substance and showstopper moments without demanding unrealistic technical demands.

What to expect

Expect warmth, elegance, and rhythmic sophistication. Malaguena arrives with passion and a touch of Iberian drama, while Andalucia (The Breeze and I) luxuriates in a gentle, almost impressionistic harmonic language. The less-known movements reveal themselves gradually, building a sense of journey through Spanish and Latin landscapes without ever losing melodic clarity or orchestral color.

Who it's for

Orchestras with intermediate to advanced capabilities looking for a program piece that draws audiences while remaining within reach. Directors seeking to program Latin American classical music beyond the usual suspects will find this suite offers both popularity and musical legitimacy. Groups with solid string sections and access to percussionists comfortable with Latin styles are well-positioned to perform this effectively.

How to get the most out of it

  • Balance the guitar part carefully in rehearsal. In slower movements like Cordoba, it should register as a distinct voice, not disappear into the texture. Have it sit forward enough that listeners recognize it as a featured instrument.
  • Treat Malaguena and Andalucia as the emotional anchors of the suite. These movements are what audiences come for. Shape them with rubato and allow the string sections time to breathe through the lyrical passages.
  • The Advanced Violins part transforms the suite's brilliance considerably. Decide early whether you'll use it independently or double it with Violin I and II; this choice should depend on your string section's size and sound preferences.
  • Lock the percussion and timpani foundation in the rhythmically driven movements. The Latin inflections require precision from your rhythm section to land the style authentically.

How to use it

This suite works brilliantly as a standalone centerpiece in a pops or classical program, offering substantial musical content without the weight of a full concerto. Pair it with a Romantic-era overture and a contemporary work to create a concert that spans styles while maintaining audience engagement. Alternatively, program Malaguena alone as a show-stopping curtain-raiser when you need a guaranteed crowd-pleaser.

Skills your students will build

  • Stylistic interpretation of Latin and Spanish musical idioms
  • Balancing melodic lines across string sections with optional advanced voicings
  • Reading and executing rhythmic patterns characteristic of Cuban and Iberian music
  • Ensemble coordination in mixed instrumentation (strings, woodwinds, brass, guitar, percussion)
  • Dynamic control and phrasing in sustained lyrical passages
  • Chamber-like interaction between featured soloists (guitar, saxophone) and larger ensemble

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