And All Was Well: Woodwind Ensemble Score & Parts

Lyrical and approachable, with moments of gentle rhythmic interest that keep the piece from feeling static. The solo introduction establishes an intimate, singing quality that carries through the ensemble sections, creating a piece that feels conversational rather than showy.

Developing woodwind ensembles working at the easy level who are ready to tackle longer phrases and ensemble balance. This works equally well for quintets or larger flexible configurations, making it accessible whether you're coaching a small group or filling out a full ensemble rehearsal.

• Shape the solo introduction with a clear arc; resist the urge to rush through the lyrical melody even though it sits comfortably under the fingers.
• Listen across the ensemble during the tutti passages to catch balance issues before they become habits; this piece exposes uneven dynamics quickly.
• Clarify the syncopated rhythms in rehearsal by playing them with exaggerated articulation first, then softening back into the legato character Meeboer intends.
• Mark the dotted rhythms consistently across all parts so the ensemble locks together during those figures rather than drifting.

Pair this with something more energetic to balance a concert program, or use it as a warmup piece that accomplishes real musical work without demanding extreme technical facility. At under three minutes, it fits neatly into festival or contest settings where time slots matter.

• sustaining long, legato phrases with consistent air pressure
• intonation matching and blend across different woodwind timbres
• ensemble balance and listening to other parts
• reading and executing syncopated rhythms
• executing dotted rhythm figures with precision
• solo introduction phrasing and shaping