And All Was Well: Concert Band Conductor Score & Parts

Thoughtfully lyrical, with a singing quality that makes the ensemble feel like they're playing something meaningful. The trumpet solo catches attention early, then the piece settles into a warm, sustained harmonic environment that rewards careful listening and disciplined ensemble playing.

Concert bands at the Grade 1.5 level looking for a lyrical piece that works well on festivals or concert programs. It suits bands with developing musicality who benefit from focused work on legato playing and ensemble balance without demanding advanced technique.

• Shape the long, legato phrases by thinking in terms of arch and direction rather than note-to-note articulation. A conducted phrase breathes as one unit.
• Lock the syncopated and dotted rhythms early in sectional rehearsals before putting parts together; rhythmic clarity here prevents the ensemble from dragging.
• Balance the trumpet solo so it projects as the featured voice without the accompanying harmonies receding. Use dynamics in the supporting parts to frame, not disappear.
• Check intonation on the sustained harmonic foundations; unison and unison doublings are where tuning issues show first.

This works beautifully as a concert opener or contrasting number alongside more rhythmic or energetic pieces. At just under three minutes, it fits well into festival schedules and serves as a solid audition piece for bands in the developing stage.

• Playing sustained, lyrical phrases with consistent tone and air support
• Reading and executing syncopated and dotted rhythmic patterns
• Listening for and balancing harmonies within the ensemble
• Tuning and matching tone quality across parts
• Following a featured solo line while maintaining harmonic foundation