And All That Jazz (from "Chicago"): Piano/Vocal/Chords

This collection pairs 40 Broadway favorites with piano arrangements that honour each song's theatrical character while remaining accessible at the keyboard. The range spans from the intimate vulnerability of 'My Funny Valentine' to the raw energy of 'And All That Jazz,' giving pianists and singers genuine variety in a single volume. You'll find the standards audiences expect alongside newer musical theatre gems, making this ideal for recitals, audition preparation, or simply mining great melodic material.

Opening this book is like stepping into a century of theatrical storytelling, from the glamour of classic MGM musicals to the raw energy of contemporary Broadway. Each song carries the emotional weight of its original moment while inviting fresh interpretation at the keyboard and through your voice.

Singers preparing audition material, recital repertoire, or cabaret sets will find this collection invaluable. Pianists building a strong foundation in popular song and theatrical accompaniment will appreciate the stylistic range and the challenge of supporting diverse vocal approaches.

• Study the original cast recording of each show before rehearsing. The vocal style, orchestral context, and dramatic pacing in the theatre will inform your choices about tempo, dynamics, and character.
• Pay close attention to the chord symbols as a guide to harmonic colour and reharmonization possibilities; these arrangements often lean on jazz voicings and chromatic movement that shape the song's personality.
• Balance the vocal line against the piano part rather than drowning the melody. Many of these songs rely on conversational intimacy between voice and accompaniment.
• Tempo is not fixed in musical theatre songs. Use rubato and subtle rhythmic flexibility, especially in ballads, to serve the lyric and emotional arc.

Program songs from this collection as a cabaret-style recital, selecting material that contrasts in mood, tempo, and era. You might also use individual songs as audition pieces, as they're widely recognized and give accompanists clear context. For singers in applied study, rotating through these selections provides exposure to different compositional styles and vocal demands.

• Reading jazz and advanced harmonic voicings in chord symbols
• Accompanying singers with flexibility and responsiveness to lyrical phrasing
• Interpreting style across multiple musical theatre eras and compositional voices
• Building a practical audition and recital repertoire
• Understanding the relationship between theatrical context and musical interpretation