And All That Jazz: SAB Choral Octavo

This arrangement captures everything that makes the original a showstopper while remaining genuinely singable for a three-part mixed choir. Kirby Shaw has preserved the jazzy swagger and those instantly recognizable piano figures that audiences know, giving your singers a piece that feels like a real Broadway moment without requiring a powerhouse soprano section.

Sophisticated, glamorous, and fun. The jazzy harmonies and syncopated rhythms create an urbane energy that feels both retro and timeless. There's an undeniable swagger here, the kind of confidence that comes from one of Broadway's greatest composers writing music that knows exactly what it is.

Choirs with SAB voicing at the intermediate to advanced level who want a contemporary piece with genuine Broadway credentials. This works especially well for groups that enjoy jazz and musical theater styles and want to program something that will excite both singers and audiences.

• Lean into the rhythm section's swing feel from the very first piano chord. The tempo marking should feel like a restrained strut, not a groove; coach your singers to sit slightly behind the beat to create that classic Fosse-era sophistication.
• Use the recorded accompaniment during early rehearsals to lock the syncopated rhythms, then gradually reduce your reliance on it so the choir develops ownership of the groove.
• Shape the dynamics carefully around the vocal lines rather than singing uniformly through sections. The arrangement has genuine space; let it breathe.
• Incorporate simple, intentional staging that echoes Fosse's style—even minimal choreography (angular arm positions, geometric spacing) elevates the theatrical impact without overwhelming the singing.

Program this as a standalone showstopper in a spring concert or musical theater-themed performance. It pairs naturally with other jazz or contemporary pieces and provides a sparkling closer that leaves audiences on a high note. It's also an excellent choice for a winter concert's second act opener if you're building toward a theatrical theme.

• Swing rhythm and syncopation in a jazz-inflected style
• Balancing jazz harmony with clear part independence
• Sustaining swagger and theatrical attitude while maintaining musical control
• Responding to the recorded accompaniment as both a guide and a collaborative partner