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Ancient Days: String Orchestra, Ensemble Works Conductor Score

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Ancient Days: String Orchestra, Ensemble Works Conductor Score

By R. Anne Svendsen

Grade: 2

Item: 36-52255454

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Description
Ancient Days creeps in and rises to a crescendo with a driving, primodial melody. The work's Dorian modality is emphasized by arpeggiated lower string accompaniment, while upper voices have an opportunity to incorporate a bit of third position skill within their feature. An optional tom-tom part is included.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887617-7
ISBN13: 978-1-63-887617-5
UPC: 735816287849
SKU: 36-52255454
Instrumentation: String Orchestra, Ensemble Works

More about this title

Why we love this

Svendsen captures something primal and hypnotic here, building tension through modal color rather than harmonic complexity. The Dorian framework gives conductors an accessible entry point into modal writing, and the scaffolded string writing lets you differentiate across sections without abandoning the piece's atmospheric integrity.

What to expect

Elemental and gradually intensifying. The piece evokes something ancient and primal, with each entrance adding weight and momentum. The Dorian color creates an unsettling, hypnotic quality that draws listeners in before the driving conclusion takes hold.

Who it's for

Grade 2 string orchestras ready to explore modal writing and dynamic control. This work suits ensembles with confident lower strings and second violins willing to sustain rhythmic figures while upper voices shine.

How to get the most out of it

  • Establish the arpeggiated accompaniment figure in rehearsal before layering the melody. The lower strings set the harmonic foundation; lock that in first, then add upper voices.
  • Shape the crescendo deliberately across rehearsals. Mark dynamic landmarks in the score so players understand the arc rather than rushing toward the climax.
  • Balance the tom-tom part carefully. It should reinforce the driving quality without overshadowing the string texture; rehearse it separately, then integrate it at half-strength before final balancing.

How to use it

Open a concert with this to establish an immersive, contemporary mood, or pair it alongside other modal works to deepen students' ear for harmonic color beyond major and minor. Its brief arc and accessible demands make it ideal for mid-season programming when orchestras have developed basic ensemble cohesion.

Skills your students will build

  • Reading and performing in Dorian mode
  • Sustaining ostinato figures under melodic material
  • Executing smooth dynamic crescendos across multiple measures
  • Third position violin technique
  • Ensemble balance between accompaniment and featured voices

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