An Irish Suite Cover Image

An Irish Suite: Conductor Score & Parts

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An Irish Suite Cover Image

An Irish Suite: Conductor Score & Parts

By Percy Hall

Grade: 2

Item: 36-20413101

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Description
Folk songs are a wonderful source for of music to arrange for small ensembles, proven by the selection of these 4 familiar Irish tunes - The Irish Minstrel Boy, Wearing of the Green, Molly Malone (often known as Cockles and Mussels), and The Galway Piper. Lots of beautiful and exciting music is packed into this 4 minute flute quartet. Range is from high F above the staff down to E natural the bottom line. Some maturity of performance is required to successfully put this together, and the end result will be most rewarding for the performers, and the audience as well. Here is an excellent choice of chamber music for contest, concert, and small group gatherings. OMEA Class: B

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134066-1
ISBN13: 978-1-57-134066-5
UPC: 660355085055
SKU: 36-20413101
Instrumentation: Flute Quartet

More about this title

Why we love this

Hall's arrangement respects the melodic integrity of these beloved Irish tunes while creating genuine ensemble writing that demands musical maturity from all four players. The span from high F to low E keeps every voice engaged with substantive material, and the four-minute duration strikes the rare balance between substantial chamber work and genuinely performable repertoire for student quartets.

What to expect

Warm, lyrical, and lightly spirited. The Irish melodies sing through without theatricality, and Hall's arrangement honors their folk character while creating moments of harmonic depth and gentle counterpoint that reward careful listening.

Who it's for

Flute quartets ready to step beyond unison arrangements and tackle genuine four-part writing. This work suits ensembles preparing for chamber music contests, school concerts, or community performances where accessible but musically substantive repertoire is needed.

How to get the most out of it

  • Balance the melody line across the quartet as it passes between parts; mark your score to show where the principal line moves so each player knows when to sit back or step forward.
  • Anchor the rhythmic foundation in rehearsal by isolating the lower two parts first, establishing how they support the tune-carrying voices above them.
  • Work through the full range of the piece in early rehearsals to ensure all four players are comfortable navigating from the high F down to the low E without tension or strain.

How to use it

Program this as a chamber music showcase alongside other short ensemble works, or feature it as a bridge between larger band or orchestra numbers and solo features on a concert. Its familiar tunes make it an effective opener for audiences unfamiliar with chamber repertoire.

Skills your students will build

  • Balancing melody and accompanying voices in four-part texture
  • Navigating a wide range (high F to low E) with consistent tone quality
  • Reading and performing folk-inspired melodic material with musical maturity
  • Ensemble intonation across all registers of the flute
  • Blending four independent parts into cohesive sound

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