An Impressionistic Christmas Cover Image

An Impressionistic Christmas: Piano Book

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An Impressionistic Christmas Cover Image

An Impressionistic Christmas: Piano Book

10 Arrangements Inspired by Impressionist Compositions

Arranged by Faye López

Level: Early Advanced

Item: 00-41468

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Description
Pieces such as Debussy's Reverie and Clair de lune have held universal appeal. They are beautiful, enduring classics with memorable melodies, textures and harmonies---much like so many timeless Christmas carols. This collection offers arrangements of many beloved carols, inspired by treasured Impressionist compositions. Titles: Away in a Manger (Inspired by Clair de lune) * Go, Tell It on the Mountain (Inspired by Le petit nègre) * Good Christian Men, Rejoice (Inspired by First Arabesque) * Hark! The Herald Angels Sing (Inspired by La cathédrale engloutie) * Infant Holy, Infant Lowly (Inspired by Reflets dans l'eau) * Lo, How a Rose E'er Blooming (Inspired by La fille aux cheveus de lin) * O Come, All Ye Faithful (Inspired by Reverie) * O Come, O Come, Emmanuel (Inspired by Jardins sous la pluie) * O Holy Night (Inspired by Doctor Gradus ad Parnassum) * While Shepherds Watched Their Flocks (Inspired by The Little Shepherd).

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Sample Pages

Sample Audio
1 Away in a Manger --:--
2 Go Tell It on the Mountain --:--
3 Good Christian Men, Rejoice --:--
4 Infant Holy, Infant Lowly --:--
5 Lo, How a Rose E_er Blooming --:--
6 O Come, All Ye Faithful --:--

Away in a Manger

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Sample Video
Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-9891-8
ISBN13: 978-0-7390-9891-2
UPC: 038081463490
SKU: 00-41468

More about this title

Why we love this

López pairs each carol with a specific Impressionist work, creating arrangements that honor both the melodic integrity of the carol and the harmonic language of Debussy, Satie, and their contemporaries. The result is a collection that feels genuinely inspired rather than superficially themed, offering pianists a fresh way to approach familiar repertoire. These arrangements strike a rare balance between accessibility and artistic depth.

What to expect

Quiet sophistication wrapped in nostalgia. These arrangements preserve the warmth and recognition of beloved carols while surrounding them with shimmering harmonies, floating textures, and the dreamy quality that defines Impressionist piano writing. Playing them feels both grounding and ethereal.

Who it's for

Early Advanced pianists preparing holiday recitals or performances who want to move beyond conventional carol arrangements. This collection also suits teachers seeking to deepen students' understanding of Impressionist harmonic language through familiar melodic material.

How to get the most out of it

  • Study the Impressionist composition that inspired each arrangement before learning the carol version; understanding the source harmonic language will guide your voicing choices and pedal work.
  • Use the sustain pedal generously but change it with harmonic shifts rather than on strict beats, following the impressionistic practice of letting colors blend and drift.
  • Shape long melodic lines with subtle dynamic gradations and rubato rather than obvious phrasing; Impressionist writing rewards gentleness and nuance over drama.
  • Pay close attention to the textures in the left hand, which often provide the atmospheric foundation of these arrangements. Clarity and independence between hands matter more than blended sonority.

How to use it

Feature individual pieces in holiday recitals, particularly those with a classical or adult-centered audience who will appreciate the compositional connections. You might also program several consecutively as a thoughtful program segment that blends the sacred and the artistic, or use selections in student recitals where early advanced pianists need repertoire that showcases harmonic sophistication.

Skills your students will build

  • Reading Impressionist harmonic vocabulary (whole-tone inflections, parallel chords, extended tertian harmony)
  • Pedal control and sensitivity to color changes within sustained harmonies
  • Balancing melody and accompaniment texture across both hands
  • Interpreting rubato and phrasing in music that prioritizes atmosphere over metric regularity
  • Performing with dynamic subtlety and control in a moderate range

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