American Triple Crown Cover Image

American Triple Crown: String Orchestra Conductor Score

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American Triple Crown Cover Image

American Triple Crown: String Orchestra Conductor Score

Including: My Old Kentucky Home / Maryland, My Maryland / New York, New York

Arr. Dorothy A. Straub

Grade: 3

Item: 00-44816S

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Description
This piece, arranged by Dorothy Straub, celebrates the excitement of a very short horse race. Using songs that are sung before each of the three races---songs of Kentucky, Maryland, and New York---the orchestra takes on the role of the winning horse, with the accelerando being the final "race to the finish line." Though timely now that the amazing horse, American Pharaoh, won the Triple Crown in June of 2015, this piece was written prior to that event to celebrate all the horses that compete. (6:30)

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Additional Details
Series: Pop Concert String Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 038081515540
SKU: 00-44816S

More about this title

Why we love this

Straub found a genuinely clever way to layer three regional traditions into a single narrative arc, with the orchestra itself becoming the protagonist. The accelerando to the finish line actually builds tension rather than feeling tacked on, and the piece captures that specific cultural moment of Triple Crown racing without depending on it.

What to expect

The piece radiates energy and Americana tradition, moving through the ceremonial songs of three states before unleashing the pure kinetic thrill of the race itself. You feel the building momentum and the specificity of place all the way through.

Who it's for

String orchestras at the intermediate level who want concert repertoire with real personality and a story that engages audiences. This works for groups looking to program American culture and tradition without reaching for the same overplayed standards.

How to get the most out of it

  • Balance the regional melodies so each one lands clearly before the next takes over; these songs carry geographic identity, so resist blending them into uniformity.
  • Control the accelerando by thinking of it as the horse finding its stride, not as panic. Let it breathe and build rather than rushing from measure one.
  • Lean into the character work: the orchestra isn't just playing about a horse race, you're embodying the competition itself. That distinction shapes how you shape phrases and dynamics.

How to use it

This fits naturally into a spring pops concert or an Americana-themed program, especially paired with other contemporary arrangements that celebrate regional American music. It works equally well as an opener that sets an upbeat tone or as the closer that sends the audience out energized.

Skills your students will build

  • Executing controlled accelerandos with rhythmic precision
  • Balancing and articulating contrasting melodic material from multiple traditions
  • Building narrative arc and musical character through ensemble playing
  • Playing with conviction through programmatic context

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