American Song Settings, No. 3 Cover Image

American Song Settings, No. 3: Concert Band Conductor Score & Parts

$46.00 USD
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American Song Settings, No. 3 Cover Image

American Song Settings, No. 3: Concert Band Conductor Score & Parts

"Barbara Allen"

Arr. Joseph Kreines

Grade: 2 (Medium Easy)

Item: 00-36703

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Description
This lovely setting of the beloved American folk song "Barbara Allen" is presented for developing bands as a series of variations in which all sections of the band have an opportunity to play the melody. This arrangement, third in a series of wind band settings of familiar melodies, was written for and is dedicated to the Independence Middle School Band in Jupiter, Florida and their director, Randy Sonntag.

"This is attractive teaching material . . ."
- The Instrumentalist

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, American Song Settings, No. 3: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 122
UPC: 038081417608
SKU: 00-36703

More about this title

About the Arranger: Joseph Kreines

Joseph Kreines

Joseph Kreines built his career across Florida's orchestral and operatic landscape, serving as associate conductor of the Florida Symphony Orchestra in Orlando before moving into leadership roles with the Brevard Symphony and The Florida Orchestra in Tampa. His work extends beyond the podium into composition, transcription, and education; he has guest conducted hundreds of ensembles nationwide and authored Music for Concert Band, a curated resource for band directors navigating repertoire selection.

Kreines holds particular distinction for his transcriptions of Percy Grainger's music for concert band and brass choir, work that reflects both his deep knowledge of wind band scoring and his commitment to expanding the available literature. Currently, he conducts the Brevard Symphony Youth Orchestra and continues to perform as a piano accompanist at recitals and festivals throughout Florida.

Why we love this

Kreines understands what Grade 2 bands actually need: a strong melodic anchor, accessible scoring that keeps all sections engaged, and musical substance that doesn't condescend. The variation structure here means no one sits idle for long stretches, and "Barbara Allen" is familiar enough that students hear the payoff of their work immediately, building confidence and investment in the performance.

What to expect

"Barbara Allen" carries its own melancholy dignity, and Kreines' setting honors that without adding artificial drama. The arrangement breathes with the natural phrasing of the folk tune, moving through variations that feel like organic extensions rather than clever rearrangements, giving the band a chance to inhabit an American musical tradition that feels both genuine and manageable.

Who it's for

This arrangement serves Grade 2 concert bands ready to move beyond simple melodies but still building fundamental ensemble skills. Directors seeking accessible yet musically legitimate material for developing players will find this particularly useful, especially for ensembles working with limited rehearsal time or mixed instrumentation.

How to get the most out of it

  • Balance the melody across sections as it passes between instruments; use light articulation in the accompanimental figures to keep focus on whoever is singing the tune.
  • Take the variations at a comfortable tempo that allows the developing players to maintain secure intonation and phrasing; "Barbara Allen" benefits from a singing quality rather than a rushed feel.
  • Encourage the upper woodwinds to shape their lines with gentle dynamics and emphasis on legato passages; this style serves both the folk melody and the students' musical growth.
  • When the full band enters, guard against heaviness in the lower voices; keep the texture light enough that the melody remains the clear focus even in fuller sonorities.

How to use it

This works beautifully as a concert opener or closer, providing a moment of accessibility and warmth for audiences while showcasing your developing band's progress. Consider pairing it with other Americana or folk-inspired pieces to build a thematic concert section, or program it as a bridge between a technical opening work and more challenging repertoire to show range and musical maturity.

Skills your students will build

  • Playing sustained melodic lines with phrase shape and legato articulation
  • Maintaining secure intonation in harmonic accompaniment roles
  • Tracking melodic movement between instrumental sections
  • Balancing ensemble volume to support a primary melody
  • Reading and executing variation forms
  • Building confidence in an American folk tradition

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