American Big Top Cover Image

American Big Top: Concert Band Conductor Score

$14.00 USD
Sale price  $14.00 USD Regular price 
Skip to product information
American Big Top Cover Image

American Big Top: Concert Band Conductor Score

By Brian Balmages

Grade: 3

Item: 98-B1735S

$14.00
Shipped

One moment…

Description
The spirit of Charles Ives comes alive in this wacky and clever American-style circus march! Featuring snippets of many patriotic favorites intertwined with a wealth of original material, layered harmonies and rhythms, this is a highly entertaining and unique work that works equally well as a march, festival work, or closer!

American Big Top: Concert Band Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444523414
SKU: 98-B1735S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a career moving fluidly between symphonic, band, and chamber contexts, earning commissions and performances at venues from Carnegie Hall to the Sydney Opera House. His accolades include the A. Austin Harding Award, the 2020 NBA William D. Revelli Composition Contest, and membership in the American Bandmasters Association. He has also received the inaugural James Madison University Distinguished Alumni Award and was commissioned by the University of Miami for a presidential inauguration.

As a conductor, Balmages maintains active relationships with all-state ensembles, university groups, and professional orchestras worldwide. His guest conducting credits span the Midwest Clinic, Western International Band Clinic, and international venues in Australia and Italy. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages captures the irreverent, anything-goes energy of a full-scale carnival without sacrificing musicianship or coherence. The layering of patriotic quotations over original material creates genuine musical humor that still demands rhythmic precision and ensemble control from your students. It's the rare Grade 3 piece that entertains both audience and performers equally.

What to expect

Imagine a carnival midway filtered through Ives's American sensibility: chaotic, colorful, and cheerful without ever losing musical purpose. The piece tumbles forward with infectious energy, mixing fanfare and patriotic melody into something both familiar and completely original.

Who it's for

Grade 3 concert bands seeking a spirited, engaging work that brings genuine enjoyment to the performance experience. This score works for groups that can handle moderate rhythmic independence and appreciate humor as a legitimate compositional tool.

How to get the most out of it

  • Balance the quotations so they land as recognizable callbacks rather than background noise. The comedy depends on your ensemble hearing them clearly.
  • Treat the rhythmic layers as independent conversations. Help your percussion and lower winds establish their patterns first, then layer the melody on top.
  • Embrace the theatrical side. This piece invites personality in your conducting and rehearsal approach without becoming sloppy.

How to use it

Save this for a spot where the audience needs a lift. It works beautifully as a concert closer, a festival finale, or the opener of a spring pops program. The Grade 3 level makes it accessible to most programs while the musical sophistication keeps it genuinely entertaining for musicians and listeners alike.

Skills your students will build

  • Managing polyrhythmic textures (simultaneous independent rhythmic patterns)
  • Balancing quotation and original material within a single harmonic framework
  • Stylistic control (switching between march idiom and concert band writing)
  • Ensemble cohesion across non-traditional harmonic progressions

You May Also Like