Amazing Grace Cover Image

Amazing Grace: Flugelhorn & Organ Part(s)

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Amazing Grace Cover Image

Amazing Grace: Flugelhorn & Organ Part(s)

Arr. Joel Treybig

Level: Medium

Item: 81-ST1580

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Description
"Amazing Grace," with words written by John Newton and joined with the "New Britain" hymn tune, appeared for the first time in William Walker's shape note tunebook "Southern Harmony" in 1847. The present arrangement draws on folk and shape note traditions, and was premiered by the arranger (flugelhorn) and Gerry Senechal (organ) at a wedding.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-261-2
ISBN13: 978-1-77157-261-3
UPC: 685462022625
SKU: 81-ST1580
Instrumentation: Flugelhorn & Organ

More about this title

About the Arranger: Joel Treybig

Joel Treybig has built a reputation for arrangements that honor traditional American music while keeping it vital and performable. His work draws deeply from shape note and folk traditions, and he brings an arranger's keen ear for what works idiomatically on each instrument.

Why we love this

Treybig's arrangement honors the shape note and folk traditions that gave "Amazing Grace" its enduring power, while the flugelhorn's warm, mellow voice creates an intimate, introspective sound that feels both reverent and accessible. This piece works beautifully in recital or worship contexts where authenticity and emotional directness matter more than spectacle.

What to expect

Contemplative and grounded. The flugelhorn's mellow character against organ harmonies creates a sound that feels both historical and intimate, as if you're hearing the hymn the way a congregation might have sung it generations ago.

Who it's for

Flugelhorn players at the intermediate level seeking repertoire with liturgical or concert contexts. This works well for musicians comfortable holding a singing melodic line and who want to develop sensitivity to harmonic accompaniment.

How to get the most out of it

  • Shape the phrasing across longer lines rather than stopping at bar breaks; let the organ's harmonic movement guide your breath placement.
  • Balance your tone between projection and warmth. The flugelhorn's core sound should sit comfortably within the organ's texture, not sit on top of it.
  • Work closely with your organist on tempo consistency and pedal coordination, especially in the hymn's slower passages where any rhythmic unevenness becomes noticeable.

How to use it

This arrangement fits naturally into a wedding ceremony, memorial service, or choral/instrumental concert opening. It also works as a recital piece paired with other sacred or American folk-inspired solos.

Skills your students will build

  • Sustained legit tone production on flugelhorn
  • Phrase shaping over longer harmonic progressions
  • Balance and blend with keyboard accompaniment
  • Interpretation of sacred/hymn-based repertoire
  • Rhythmic coordination with organist across varied tempos

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