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Always There: SoundTrax Digital Audio Download

$27.99 USD
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Always There Cover Image

Always There: SoundTrax Digital Audio Download

Words by Brendan Graham, music by Rolf Lovland / arr. Jay Althouse

Item: 00-A-00014877

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014877

More about this title

About the Composer: Rolf Lovland

Rolf Lovland is a Norwegian composer whose work spans classical, pop, and crossover idioms. He co-founded the group Enya's musical foundation and has built a career crafting accessible, emotionally direct compositions that bridge sophisticated harmony with immediate melodic appeal. His arrangements and original works appear frequently in choral and ensemble settings, particularly in the pop and contemporary sacred repertoire.

Why we love this

Lovland writes melodies that stick without feeling manufactured, and this arrangement by Jay Althouse honors that gift while keeping the voicing manageable for mixed ensembles. The piece lands at a sweet spot: emotionally substantial enough to feel meaningful, accessible enough that rehearsal time goes toward musical interpretation rather than just mechanics.

What to expect

The title promises reassurance, and the music delivers it. Warm harmonies and a grounded harmonic language create a sense of stability and presence, while the melodic line draws listeners in with its directness and sincerity.

Who it's for

Mixed choirs and pop ensembles looking for contemporary material that doesn't demand complex voice leading or unusual ranges. This sits well in concert settings, competitions, or worship contexts where accessibility and emotional connection matter equally.

How to get the most out of it

  • Let the recorded accompaniment guide initial rehearsals, but wean singers off it gradually so they own the harmonic relationships rather than leaning on the track.
  • Shape the dynamics with intention; this style benefits from building and releasing tension phrase by phrase rather than holding one volume level throughout.
  • Pay attention to vowel consistency in the pop idiom. The text matters here, so clarity serves the message as much as the music.
  • Find the groove early and lock it in. Once your ensemble knows where the pocket is, they can relax into the melodic storytelling.

How to use it

Pair this with other pop or contemporary secular selections to build a cohesive program section, or use it as a closing piece where emotional authenticity matters more than instrumental virtuosity. It works especially well in spring concerts or as a palate cleanser between heavier classical or sacred repertoire.

Skills your students will build

  • Singing with clear diction in a contemporary pop idiom
  • Responding to recorded accompaniment and finding independence from it
  • Shaping phrases with dynamic and textual intention
  • Maintaining ensemble blend while supporting a unison or primary melody

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