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Alto Saxophone Solos: Piano Acc. Book

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Alto Saxophone Solos Cover Image

Alto Saxophone Solos: Piano Acc. Book

Level: I

Item: 00-EL03111

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Description
An overview of the most popular contest and recital pieces written for alto saxophone. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2159-9
ISBN13: 978-0-7692-2159-5
UPC: 029156188011
SKU: 00-EL03111
Instrumentation: Piano Acc.

More about this title

Why we love this

This book pairs the most teachable contest and recital standards with professionally prepared piano accompaniments, removing the planning burden of finding appropriate matches for each piece. Young saxophonists get to work with repertoire that's been vetted for their advancing abilities rather than struggling through transcriptions or arrangements that don't quite fit.

What to expect

A curated collection of musical moments that challenge young saxophonists to balance technical security with expressive playing. Each piece offers a chance to grow beyond exercises and into the repertoire that defines solo saxophone performance.

Who it's for

Alto saxophone students in their early advancing years who are preparing for contests or solo recitals and benefit from thoughtfully paired accompaniment. Band directors and private saxophone teachers seeking curated literature that matches both technical progression and musical maturity.

How to get the most out of it

  • Balance your tone against the piano accompaniment by listening carefully during rehearsals; the piano part will reveal harmonic and rhythmic details that anchor your phrasing.
  • Mark the sections in your part where the piano leads versus where the saxophone carries the melody, then adjust your dynamics accordingly to stay musically conversational.
  • Work through the accompaniment book alongside your student to understand the harmonic context and any rubato or articulation cues the composer intended.

How to use it

Draw from this book throughout the year as students prepare solo entries for regional and state contests, or feature individual pieces in student recital programs to showcase advancing players. The correlated approach with First Division Band Course materials makes it natural to assign solos that complement concurrent band work.

Skills your students will build

  • Phrasing over sustained harmonic accompaniment
  • Balancing melodic content with piano texture
  • Navigating the technical demands of early advanced repertoire
  • Preparing solo literature for contest and recital performance
  • Following and responding to accompaniment cues

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