Alone Together: Jazz Ensemble Conductor Score & Parts

Mike Kamuf's arrangement preserves the elegance of this standard while giving your ensemble room to breathe and solo. The balanced treatment of sections, optional parts that don't complicate setup, and a smart development section that showcases your full ensemble make this a chart that sounds more ambitious than it reads.

Sophisticated and swinging, with the unhurried elegance of a classic ballad that opens up into fuller ensemble colors. The optional vibes and flute parts add shimmer without ever overshadowing the core sound, and the development section brings real excitement to the arrangement's arc.

Medium-level jazz ensembles ready to play a recognized standard with style and control. This works equally well for high school groups developing their repertoire and college ensembles seeking a well-crafted chart that doesn't require advanced soloists.

• Land the tempo at 124 BPM early in rehearsal and lock it there. The swing feel depends on consistency, so establish groove before working section-by-section voicing.
• Study the provided tenor solo carefully before the first rehearsal. Having a clear model helps your soloist understand the expected phrasing and approach, whether they follow it closely or use it as a launching point.
• Balance lead trumpet carefully in the upper register; the B above the staff sits at the edge of comfort for many players. Light articulation and consistent air support will keep it from sounding strained.

Program this as the centerpiece of a jazz standards set, or pair it with two uptempo charts for a well-rounded first half. At 5:30, it has enough substance to anchor a concert and provides a genuine contrast to harder-swinging material.

• Swing feel and groove consistency at a moderate tempo
• Solo construction and phrasing over a jazz standard progression
• Sectional balance and voicing in an ensemble setting
• Reading and responding to orchestration that uses optional parts selectively