Almost Like Being in Love Cover Image

Almost Like Being in Love: Vocal Solo with Jazz Ensemble Conductor Score

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Almost Like Being in Love Cover Image

Almost Like Being in Love: Vocal Solo with Jazz Ensemble Conductor Score

By Frederick Loewe / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-SS9411C

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Description
Feature your singer in this standard, one of the favorites of all vocalists. You'll like the Wolpe inflections with careful backgrounds written to help the singer, not overpower her. It's just plain good writing!

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Additional Details
Series: Jazz Vocal Series
Publisher: Alfred Music
Page Count: 16
UPC: 029156088663
SKU: 00-SS9411C

More about this title

About the Composer: Frederick Loewe

Frederick Loewe composed some of the most enduring Broadway scores of the 20th century, collaborating with lyricist Alan Jay Lerner on classics that remain central to the American musical theater canon. His melodic gift was matched by his understanding of vocal writing; he crafted songs that sit naturally in the voice while offering genuine harmonic sophistication, making his standards perennial favorites for singers across genres.

Why we love this

Wolpe's arrangement respects the integrity of Loewe's melody while giving it a contemporary jazz vocabulary that never crowds the vocalist. The backgrounds are genuinely supportive, creating texture and harmonic interest without fighting for attention. It's the kind of writing that makes a singer sound their best, which is exactly what makes it worth programming.

What to expect

Sophisticated and warm. The harmonic language is jazz-inflected but never alienates singers or audiences familiar with the Broadway original, creating a feeling of elegance with an underlying swing sensibility. It's a standard that carries genuine emotional weight alongside its musical charm.

Who it's for

Jazz ensemble directors looking to feature a strong vocalist without requiring an advanced instrumental section. Singers who thrive on classic Broadway material will connect with this song immediately, and the arrangement's medium difficulty means rehearsal time stays focused on performance rather than technique.

How to get the most out of it

  • Shape the vocal line with attention to Loewe's original phrasing, letting the jazz voicings underneath provide harmonic context rather than trying to match the ensemble's rhythmic syncopation
  • Balance the rhythm section carefully in rehearsal; these backgrounds need clarity and space, not volume, to frame the soloist effectively
  • Allow the singer's natural vibrato and phrasing flexibility room to breathe; this standard thrives when the vocalist has agency over rubato and expression

How to use it

Place this as a concert feature, either standing alone or paired with other vocal standards from the Jazz Vocal Series to build a themed set. It works well mid-program to showcase your singer's maturity and command while giving ensemble members a more accompanied, supportive role that still requires careful listening.

Skills your students will build

  • Accompanying a vocalist without overshadowing or rushing the line
  • Reading jazz voicings and comping figures with ensemble precision
  • Responding to a soloist's phrasing and rubato in real time
  • Balancing harmonic sophistication with melodic clarity

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