Alleluia (from <i>Uns ist ein Kind geboren</i>) Cover Image

Alleluia (from <i>Uns ist ein Kind geboren</i>): SSA Choral Octavo

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Alleluia (from <i>Uns ist ein Kind geboren</i>) Cover Image
Alleluia (from Uns ist ein Kind geboren): SSA Choral Octavo

Alleluia (from Uns ist ein Kind geboren): SSA Choral Octavo

Music by Johann Kuhnau / arr. Patrick M. Liebergen

Item: 00-23441
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Description
Dr. Patrick Liebergen layers classic choral writing over an intricate piano invention from the Baroque era, creating an excellent opportunity to develop solid intonation, rich tone quality, and expressive ensemble phrasing. Rarely is it this simple to sound so good. Whether sung in English or German, Alleluia is a wonderful teaching piece, and a joyful addition to any program.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Alleluia (from Uns ist ein Kind geboren): SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081237657
SKU: 00-23441

More about this title

About the Composer: Johann Kuhnau

Johann Kuhnau (1660-1722) was a German Baroque composer and keyboardist whose contributions to keyboard music rank him among the most significant figures of his era. Working primarily in Leipzig as a church musician and later as Cantor at St. Thomas Church (a position that would later be held by J.S. Bach), Kuhnau composed extensively for both church and keyboard, including the first keyboard sonatas and a remarkable set of biblical keyboard works that storytelling through abstract instrumental music.

Kuhnau's sacred vocal music reflects the spiritual depth and contrapuntal craft expected of a Lutheran church musician, while his keyboard writing shows a sophistication and inventiveness that influenced later composers. His integration of text-painting with intricate instrumental accompaniment makes his work particularly rewarding for choral ensembles seeking material that sounds both stylistically authentic and musically engaging.

Why we love this

Liebergen's arrangement strips away the complexity that can sometimes weigh down Baroque sacred music and instead highlights what makes Kuhnau's writing sing. The SSA voicing opens this piece to a broader range of choirs, and the layer of classic choral technique over that inventive Baroque keyboard part creates something that sounds polished without requiring advanced sight-reading or extensive rehearsal time.

What to expect

The piece radiates quiet joy. Kuhnau's original material, grounded in Lutheran sacred tradition, carries both dignity and warmth, while the piano part dances underneath like an ornate invitation to celebrate. Singers feel simultaneously supported by the keyboard writing and engaged as active participants in shaping the expression.

Who it's for

This octavo works beautifully for choirs with developing to solid intonation skills, particularly those looking to strengthen ensemble blend without tackling advanced harmonic territory. Community and church choirs seeking sacred repertoire with genuine Baroque substance will find this piece immediately rewarding.

How to get the most out of it

  • Treat the piano part as a full ensemble voice rather than accompaniment. The intricate keyboard writing will shape your phrasing and dynamic shape, so listen through the accompaniment recording carefully during early rehearsals.
  • Balance the text between languages strategically. If switching between English and German versions across verses or repeats, let the choir hear both options sung well before deciding which creates the strongest impact for your program.
  • Shape the repeated 'Alleluia' sections with subtle dynamic and harmonic awareness. The cumulative effect of these repetitions should feel celebratory, not mechanical, so track how your tone quality and intonation evolve through each iteration.

How to use it

Program this in a Christmas service or holiday concert where you want a piece that bridges classical and accessible. It pairs well alongside other Baroque sacred works, or it can stand as a joyful anchor in a mixed program of various eras. The eight-page format and moderate rehearsal demands make it ideal for mid-season programming when you need impact without stretched preparation time.

Skills your students will build

  • Sustaining pure vowels across phrase lines in Baroque style
  • Balancing SSA intonation without doubling to SAB or SATB
  • Listening to and responding to keyboard part as a dialogue partner
  • Maintaining unified rhythmic precision in repeated textual sections
  • Code-switching between English and German text with consistent musicality

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