Alleluia (from <i>Exultate Jubilate</i>) Cover Image

Alleluia (from <i>Exultate Jubilate</i>): 4 Clarinets, Bass Clarinet Score & Parts

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Alleluia (from <i>Exultate Jubilate</i>) Cover Image

Alleluia (from Exultate Jubilate): 4 Clarinets, Bass Clarinet Score & Parts

By Wolfgang Amadeus Mozart / arr. David Marlatt

Level: Medium

Item: 81-CC2126

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Description
This vocal showpiece for soprano has been adapted for 4 b-flat clarinets and 1 bass clarinet. The solo line is mainly in the first part and the string accompaniment has been simplified and divided between the remaining players. This is a great piece to show off all players and demonstrate the subtlety of the music of Mozart by a clarinet choir.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-049-4
ISBN13: 978-1-55472-049-1
UPC: 685462005116
SKU: 81-CC2126
Instrumentation: 4 Clarinets, Bass Clarinet

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed music across every major genre and left an indelible mark on Western classical tradition. His output spans symphonies, concertos, operas, chamber music, and sacred works, all characterized by melodic brilliance, structural clarity, and emotional depth that ranges from intimate to transcendent. For music educators, Mozart's work offers a masterclass in balance: his melodies sing naturally across any instrument, his harmonies support without overwhelming, and his forms teach students how structure serves expression.

Why we love this

Arranging Mozart's "Alleluia" for a clarinet choir captures the essence of why his music endures in education: the soaring vocal line becomes an ideal vehicle for developing legit singing tone on wind instruments, while the accompanying parts reward ensemble balance and transparent texture. The medium difficulty and rich harmonic language mean advanced intermediate players gain real musicianship without unrealistic technical demands, and the piece's dramatic arc from contemplative to exultant keeps audiences engaged.

What to expect

There's an inherent dignity and warmth in this music. The melody soars with the kind of architectural grace that makes listeners lean in, while the harmonies shimmer with subtle color shifts. From the hushed opening to the jubilant climax, the piece invites performers to discover the expressive possibilities of their instruments.

Who it's for

This arrangement is ideal for intermediate-to-advancing clarinet choirs and ensembles looking for repertoire that sounds more sophisticated than its technical demands suggest. It works equally well in school band settings where a clarinet section can be featured and in community wind bands seeking a vocal-style showcase piece.

How to get the most out of it

  • Shape the first clarinet line with long phrases and singing tone, treating each phrase as if it were sung by a soprano. Resist the temptation to articulate too crisply; Mozart's elegance lives in smooth legato.
  • Balance the accompaniment parts carefully so that the harmonic support emerges clearly without overshadowing the solo. Encourage the second, third, and fourth clarinets to blend as a unified backdrop.
  • Use the bass clarinet to anchor the harmony without heaviness. Its role is foundational, not decorative, so keep it moving with the harmonic rhythm rather than dwelling on long tones.
  • Invest time in the transition passages where the texture shifts. These moments define the overall shape and emotional arc, so rehearse them deliberately to avoid sounding abrupt.

How to use it

This works beautifully as a contrasting piece in a concert that otherwise leans toward contemporary or folk-based wind band music, offering audiences a reminder of the Enlightenment sensibility still at the heart of classical tradition. It's also an excellent choice for a showcase concert focused on clarinet literature, where it can anchor a program of pieces that span different musical periods and styles.

Skills your students will build

  • Singing legit tone and sustaining long phrases on clarinet
  • Balancing melody and accompaniment in ensemble settings
  • Reading and performing Classical-era harmonic language
  • Controlling dynamic shape and phrasing across a full range
  • Blending as part of a larger harmonic texture

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