Alleluia (from Exultate Jubilate): Brass Quintet Score & Parts

David Marlatt's arrangement transforms one of the vocal repertoire's most beloved arias into a legitimate trumpet feature without losing Mozart's essential character. The simplification of the string parts across the lower brass keeps the harmonic foundation clear while letting your lead trumpet player deliver the soaring, ornamental line. For a quintet wanting to expand its classical collection with a piece that contests well and engages audiences immediately, this hits a sweet spot between accessibility and artistry.

This arrangement captures the jubilant, almost joyful exuberance of the original while distilling it into the warm, direct sound of brass. The trumpet soars over the ensemble with ornamentation that feels natural to the instrument, while the supporting voices create a harmonic bed that is both grounded and refined. There's a brightness and confidence to the piece that lifts an audience instantly.

Brass quintets with a strong lead trumpet player who is ready to tackle both technical passage work and sustained lyrical playing. Directors preparing for festival or concert performance will find this accessible to intermediate ensembles while offering enough character to hold attention at any performance level.

• Balance the trumpet line generously above the ensemble; the accompaniment should recede enough to let the soloist's lyrical contour shine without ever feeling thin or unsupported.
• Shape the opening phrase with clear phrasing breaks rather than a single breath, allowing the ornamental figures to speak as Mozart intended for a soprano—your trumpeter will need space to articulate and breathe naturally.
• Establish a steady harmonic foundation in the lower brass that sits just below the surface; the horn and lower voices anchor the upper register without asserting themselves.
• Approach the orchestral sections with ensemble precision and matching articulation; these passages demonstrate how the five voices function as a unified whole, not a soloist plus accompaniment.

Program this as a classical concert centerpiece or an effective contest selection that appeals to judges while remaining fresh and engaging to listeners. Pair it with other Mozart chamber works or position it as a bridge between classical and contemporary repertoire to showcase the versatility of the quintet.

• Ornamental passage work and embellishment in a classical style
• Balancing a solo line against harmonic accompaniment
• Reading simplified orchestral textures adapted to five instruments
• Ensemble precision in supporting roles while the lead voice carries the phrase
• Control of dynamics and tone in sustained lyricism across the register