All Ye Who Music Love: SSA, a cappella Choral Octavo
Music by Baldassare Donato / arr. Russell Robinson
Item: 00-PO-0002175
$2.25
Minimum order quantity: 20 copies
Pickup currently not available
Description
All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basically the same; however, Parts II and III have been arranged in such a way as to limit the range and for ease of singing, while retaining the sound and flavor of the original. As will all Renaissance madrigals, this piece should be sung lightly and lyrically.
All Ye Who Music Love: SSA, a cappella Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series:
Alfred Archive Edition: Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
8
SKU:
00-PO-0002175
More about this title
Why we love this
The transposition to F major opens this Renaissance gem to choirs that might struggle with the original G major version, yet the arrangement preserves every ounce of the madrigal's character and sophistication. The voice parts have been thoughtfully reconfigured to keep ranges singable without sacrificing the lyricism the genre demands, making it accessible for developing SSA choirs while remaining rewarding for more experienced ensembles.
What to expect
Elegant and conversational, this madrigal unfolds with the intimacy of voices gathered to celebrate music itself. The text floats above warm harmonic foundations, creating an atmosphere both refined and deeply human.
Who it's for
SSA choirs preparing for festivals or contests will find this octavo particularly valuable. The piece works equally well for treble-voiced chamber ensembles or large high school and community choirs seeking substantial yet approachable Renaissance repertoire.
How to get the most out of it
- Sing with a light, buoyant tone throughout. Renaissance madrigals thrive on clarity and grace rather than volume; resist the urge to push the sound.
- Shape phrases with gentle dynamic contours to highlight the text painting and word emphasis that madrigals traditionally employ.
- Balance the three parts so the soprano melody remains prominent while the lower voices provide harmonic support without fading into the background.
How to use it
Pair this with other Renaissance madrigals or secular choral works for a cohesive concert program that showcases the breadth of the madrigal tradition. Its modest length and a cappella scoring make it ideal for festivals or as a charming opener on a mixed-repertoire concert.
Skills your students will build
- Singing a cappella with steady intonation across three independent parts
- Phrasing and dynamic shaping in Renaissance secular music
- Balancing ensemble blend while maintaining voice independence
- Interpreting text expression and word painting in madrigals