All We'd Ever Need Sheet Music Preview

All We'd Ever Need: Piano/Vocal/Chords

Lady Antebellum

Item: 00-PS-0011462

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Description
The album-matching sheet music to Lady Antebellum's gold-certified debut! This remarkable album has generated multiple hit singles that resonate not only with country fans, but pop fans as well. Features color photos along with sheet music for tunes such as "Love Don't Live Here," "Lookin' for a Good Time," and "I Run to You."

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Additional Details
Publisher: Alfred Music
Page Count: 84
SKU: 00-PS-0011462

More about this title

About the Composer: Dave Haywood

Dave Haywood is a composer, vocalist, and multi-instrumentalist who co-founded Lady Antebellum with Charles Kelley and Hillary Scott. Known for his work across multiple instruments and his contributions to the band's harmonic arrangements, Haywood has helped shape the sound of contemporary country music since the group's formation in the mid-2000s. His compositional approach blends country tradition with pop sensibility, making the music accessible across genre boundaries.

As a performer and writer, Haywood has been instrumental in Lady Antebellum's chart success, which includes Grammy Awards and multiple platinum certifications. His ability to craft songs that balance emotional depth with commercial appeal has made him a significant figure in modern country songwriting.

Why we love this

This collection captures songs that bridge country and pop radio in ways that engage singers beyond the typical genre audience. The arrangements maintain the album's signature three-part vocal blend while remaining approachable for solo piano and voice, making it valuable for vocalists building contemporary country repertoire. Each selection has proven staying power, which means students are learning music that audiences actually want to hear.

What to expect

These songs carry the warmth and storytelling tradition of country music while incorporating pop sensibilities that make them feel immediate and relatable. The melodies sit naturally in the voice, and the piano accompaniments support rather than overshadow the vocalist, creating space for emotional delivery and genuine connection with the text.

Who it's for

This book serves vocalists working in contemporary country repertoire, from high school choir students exploring cross-genre material to private voice students seeking songs with genuine radio and streaming presence. It's also useful for pianists accompanying vocalists in recitals, auditions, or performances who want modern country material arranged in a singable, performable format.

How to get the most out of it

  • Balance the lead vocal line with the harmonic structure underneath; these songs thrive when the piano comp feels conversational rather than strict. Let the chords breathe between phrases.
  • Pay attention to the dynamics marked in the higher registers of the vocal line. Many of these melodies sit in a conversational range, so control and clarity matter more than volume.
  • Use the chord symbols to inform your accompaniment texture. Country piano often works best with a light touch on the rhythmic pocket rather than a driving, aggressive comp.
  • Study the original recordings to hear how the harmonies interact with the melody. The vocal arranging is sophisticated enough to inform how you voice the piano part.

How to use it

Include individual selections in recitals or concerts where you're programming contemporary American music alongside standards or classical repertoire. The gold-certified status and cross-genre appeal make these songs particularly effective for showcasing student vocalists to audiences who might not typically attend classical performances. Consider pairing songs from this collection with other modern country compositions to create a thematic concert segment.

Skills your students will build

  • Reading piano/vocal scores with chord symbols
  • Interpreting contemporary country vocal phrasing and rhythm
  • Balancing melody with harmonic accompaniment in conversational arrangements
  • Understanding how three-part vocal writing translates to solo performance
  • Connecting emotionally with narrative-driven, contemporary lyrics

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