All Things Bright and Beautiful Cover Image

All Things Bright and Beautiful: Brass Choir Score & Parts

$25.00 USD
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All Things Bright and Beautiful Cover Image

All Things Bright and Beautiful: Brass Choir Score & Parts

Traditional / arr. David Marlatt

Level: Medium

Item: 81-BC2448

$25.00
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Description
This beautiful hymn has been arranged to feature the horn section in a brass choir consisting of 3 trumpets, 2 horns, 2 trombones, euphonium and tuba. This arrangement opens with a short introduction then proceeds through several verses. Each verse is scored differently for interest with the melody wanders throughout the ensemble.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-029-X
ISBN13: 978-1-55472-029-3
UPC: 685462000593
SKU: 81-BC2448
Instrumentation: 3.2.2.1.1

More about this title

Why we love this

Marlatt's arrangement transforms a familiar hymn into a showcase for brass sonority without losing the tune's warmth. The rotating melodic lines keep ensemble members engaged throughout, and the medium difficulty level makes it accessible for developing brass choirs while still offering interpretive challenges. This works beautifully in both contest and concert settings.

What to expect

Reverent but never stiff, this arrangement respects the spiritual weight of the hymn while letting brass voices soar and blend in warm, full sonorities. Each verse unfolds with fresh color as the melody passes from one section to another, creating an arc of interest that builds naturally toward the finish.

Who it's for

Brass choirs and brass ensembles at the community college, university, or advanced high school level looking for repertoire that honors a hymn tune while showcasing technical facility. Directors programming festival or contest concerts will appreciate the medium difficulty and the chance to feature different sections within a single work.

How to get the most out of it

  • Balance the horn section carefully during the opening introduction; these voices need clarity without overwhelming the inner harmony.
  • Coordinate articulation across different verse scorings so that melodic transitions feel seamless even as the arrangement shifts the tune from trumpet to trombone to euphonium.
  • Attend to ensemble blend between upper brass (trumpets) and lower brass (trombones, tuba) at tutti moments; the euphonium often sits between these groups and can anchor the sound when tuned slightly flat of the trumpets.
  • Mark phrase shapes in each part so soloists understand where they're leading the melody and where they're supporting, which strengthens musical cohesion across the multiple verse variations.

How to use it

Program this after a more energetic brass work to showcase the ensemble's lyrical capabilities, or open a second half with it to settle the audience into a moment of reflection. It pairs well with other sacred or traditional repertoire and provides a palate-cleansing contrast to contemporary brass works.

Skills your students will build

  • Blending and balance in a five-part brass texture
  • Following melodic lines as they migrate across the ensemble
  • Sustaining tone quality through longer harmonic passages
  • Responding to conductor cues for section-specific articulation changes
  • Reading concert pitch parts across multiple clefs

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