All Aboard!: SATB Choral Octavo
Chattanooga Choo-Choo / On the Atchison, Topeka and the Santa Fe
Arr. Jay Althouse
Item: 00-PO-0002256
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Jay Althouse

Jay Althouse studied music education and earned advanced degrees from Indiana University of Pennsylvania, where he was recognized as a Distinguished Alumni. Early in his career, he worked in rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America, giving him deep insight into how choral music reaches classrooms and ensembles.
Althouse has published more than 800 choral compositions performed widely across English-speaking countries. Beyond composing, he has compiled and edited respected vocal collections, co-written children's musicals with Sally K. Albrecht, and authored instructional resources including The Complete Choral Warm-up Book and Accent on Composers. His work has earned regular ASCAP Special Awards, and he served as co-writer of I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration.
Why we love this
Althouse's gift for uncovering the swing and joy in American standards shines here. Two beloved Harry Warren classics arrive with singable harmony writing and transparent arranging that keeps the focus on the tune while delivering genuine ensemble fun. Your singers will connect immediately with songs that still carry their original charm.
What to expect
This medley captures the lightness and optimism of golden-age American songwriting. The arrangement moves with rhythmic vitality, its harmony clean and unfussy, letting the melodies breathe while the piano accompaniment propels the ensemble forward with period-appropriate swing.
Who it's for
Directors of both community choirs and school ensembles will find this accessible. The SATB voicing is straightforward, the piano part requires no advanced technique, and the material works equally well for jazz-focused groups seeking genuine repertoire or traditional choral programs wanting to brighten a concert.
How to get the most out of it
- Let the recorded accompaniment establish the swing feel in rehearsals; this reference point makes teaching the rhythmic pocket much faster and keeps ensemble energy consistent.
- Balance the melody across sections during the transitions between the two songs. Althouse's voice leading keeps interest moving, but clarity depends on each section understanding whether they're carrying the tune or supporting it.
- Shape the energy of each song distinctly. 'Chattanooga Choo-Choo' benefits from a driving, propulsive tempo, while 'Atchison, Topeka and Santa Fe' can settle into a slightly more relaxed groove.
How to use it
Pair this with other Great American Songbook selections for a full concert or use it as a midseason morale builder that reminds singers why they chose to ensemble sing. The 16-page length and moderate difficulty also make it ideal for festival performances or community concert closer slots.
Skills your students will build
- Singing with swing feel and syncopated rhythms
- Balancing melody and harmony across SATB texture
- Interpreting jazz-influenced diction and phrasing
- Reading two contrasting melodies within a medley structure