Alfred's Essentials of Music Theory: Ear Training CDs 1 & 2 Combined (for Books 1-3) Cover Image

Alfred's Essentials of Music Theory: Ear Training CDs 1 & 2 Combined (for Books 1-3): 2 CDs

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Alfred's Essentials of Music Theory: Ear Training CDs 1 & 2 Combined (for Books 1-3) Cover Image

Alfred's Essentials of Music Theory: Ear Training CDs 1 & 2 Combined (for Books 1-3): 2 CDs

By Andrew Surmani, Karen Farnum Surmani, and Morton Manus

Item: 00-17254

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Description
Alfred's Essentials of Music Theory is designed for students of any age, whether listeners or performers, who want to have a better understanding of the language of music. In this all-in-one theory course, you will learn the essentials of music through concise lessons, practice your music reading and writing skills in the exercises, improve your listening skills with the available ear-training CDs (sold separately), and test your knowledge with a review that completes each unit.

The Ear-Training CDs include recordings of acoustic instruments to be used with the Student Books in the series. These Ear-Training CDs correlate with Volume 1-3 (Complete) of the Student Books.

The complete line of Alfred's Essentials of Music Theory includes Student Books, a Teacher's Answer Key, Ear-Training CDs, Double Bingo games, Flash Cards, Reproducible Teacher's Activity Kits, and interactive software for students and teachers in private study, studio and network environments.

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Additional Details
Series: Essentials of Music Theory
Publisher: Alfred Music
ISBN10: 0-7390-2013-7
ISBN13: 978-0-7390-2013-5
UPC: 038081165660
SKU: 00-17254

More about this title

About the Author: Karen Farnum Surmani

Karen Farnum Surmani

Karen Farnum Surmani holds positions as Early Childhood Acquisition Editor and Vocal Masterworks Editor at Alfred Music, bringing both administrative expertise and creative vision to music education publishing. She holds a Bachelor of Music in Vocal Performance from California State University, Northridge, and a Master's in Music Education from the University of Southern California. Her teaching experience spans elementary through university levels, and she maintains active involvement in professional organizations including the American Orff-Schulwerk Association, MENC, the Organization of American Kodaly Educators, and the National Association for the Education of Young Children.

Beyond her publishing work, Surmani is an Orff-certified music educator with specialized training in early childhood and elementary music pedagogy. She continues to perform as a classical vocalist and maintains a private voice studio. Her published works include Teach Yourself to Sing, Singing 101, Rock Singing Techniques, and co-authorship of multiple series including Alfred's Essentials of Music Theory and Classroom Music for Little Mozarts.

Why we love this

These CDs anchor the theory curriculum with real acoustic instrument recordings that make abstract concepts immediately audible. Students who struggle with printed ear-training exercises suddenly grasp interval identification, chord quality, and rhythmic patterns when they hear them performed by skilled musicians, accelerating their progress through the student books.

What to expect

Hearing real instruments perform the same exercises students are writing in their books transforms theory from abstract symbols into lived musical experience. The recordings feel clear and uncluttered, allowing individual melodic lines, intervals, and harmonic progressions to stand out distinctly so students can train their ears with confidence.

Who it's for

These CDs support any student working through Alfred's Essentials of Music Theory Books 1-3, whether in private lessons, classroom settings, or self-directed study. They work equally well for young learners building foundational listening skills and older students or adult learners strengthening their ear training as part of a comprehensive theory program.

How to get the most out of it

  • Play the recordings during focused listening sessions rather than as background music; stop and replay specific examples so students can isolate the skill being trained.
  • Have students notate what they hear before checking answers against the corresponding workbook exercises, reinforcing the connection between ear and written notation.
  • Use the CDs in small groups or one-on-one settings where you can observe which listening skills need reinforcement and adjust pacing accordingly.

How to use it

Integrate these recordings into your theory instruction as a weekly component paired directly with the student workbook units; students complete written ear-training exercises in their books while following along with the corresponding CD tracks. The two-CD set covers all three volumes, making it practical for teachers managing mixed-level classes or studios with students progressing at different paces.

Skills your students will build

  • Interval identification by ear (melodic and harmonic)
  • Chord quality recognition (major, minor, dominant seventh)
  • Rhythmic notation accuracy through melodic dictation
  • Pitch and scale degree awareness
  • Connection between written notation and live instrumental sound

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