Alfred's Basic Piano Prep Course: Solo Book E Cover Image

Alfred's Basic Piano Prep Course: Solo Book E: Piano Book

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Alfred's Basic Piano Prep Course: Solo Book E Cover Image

Alfred's Basic Piano Prep Course: Solo Book E: Piano Book

For the Young Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: E

Item: 00-6295

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Description
Each piece in the Solo Books coordinates page-by-page with the Lesson Books, reinforcing newly learned concepts presented at the lesson. Includes adorable full-color illustrations that enhance each piece.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-0439-5
ISBN13: 978-0-7390-0439-5
UPC: 038081013251
SKU: 00-6295

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally recognized musician, scholar, and educator whose contributions span multiple instruments and musical genres. A child prodigy who performed piano on radio at age 13, he built his musical foundation through piano study with Mae Vardeman and early accordion training. These two instruments became central to his lifelong artistic pursuits.

Palmer's compositional and pedagogical output proved remarkably prolific, encompassing 789 published works across accordion methods, piano methods, Hammond Chord Organ instruction, guitar methods, solo pieces, and choral compositions. His publications reached global audiences through translations in German, Japanese, French, Dutch, and Spanish. His scholarly expertise in Baroque music ornamentation earned him international recognition and formed the foundation for the acclaimed Alfred Masterworks series. He received a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983 in recognition of these contributions.

Throughout his career, Palmer taught at the University of Houston for 18 years, establishing the first successful college-level accordion courses. He also served as choir director at Memorial Lutheran Church in Houston for an extended period. His professional affiliations included the Riemenschneider Bach Institute (where he served as director), the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. from 1952 to 2016. He joined the company in the late 1940s after earning a business degree from City College of New York. A skilled clarinetist and pianist, Manus took over leadership following his father Sam's retirement and fundamentally transformed the family business that had originated in Manhattan's Tin Pan Alley in 1922.

Under Manus's leadership, Alfred Music evolved from a popular sheet music publisher into an educational powerhouse. Starting in the 1950s, he spearheaded the creation of instructional series for accordion, guitar, piano, and recorder that became industry standards. The company's expansion reflected this new direction, relocating its main office to Los Angeles in 1975 while establishing a distribution center in upstate New York.

Manus's sons Ron and Steve continued the company's growth trajectory by joining Alfred Music in 1988 and 1992 respectively. Together, they expanded the publisher's global reach through offices in Australia, Germany, Singapore, and the UK, while maintaining focus on developing leading instructional methods. In 2005, the company acquired Warner Bros. Publications, securing significant catalog rights and establishing a partnership with Warner/Chappell Music.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is a pianist and pedagogy specialist best known for developing Alfred's Basic Piano Library alongside Dr. Willard Palmer and Morton Manus. This internationally celebrated method has become a cornerstone resource in piano education. She earned degrees from Northwestern University in Piano Performance and Music Education, as well as a Master of Music in Piano Performance, and received an honorary Doctor of Humanities degree from Whitworth College in Brookhaven, Mississippi.

Throughout her career, Dr. Lethco studied with renowned musicians including James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, Douglas Moore at Columbia University, and Ruth Barr in Houston. She served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and maintained a private teaching practice across New York City, San Antonio, Austin, and Houston.

Dr. Lethco's influence extended across the globe through her clinical work at major conventions and workshops spanning Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. She also performed recitals throughout the United States and co-authored Creating Music at the Piano with Dr. Palmer. Her contributions to music education and performance have earned her recognition in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

Solo Book E reinforces exactly what students are learning in their lesson book without forcing extra preparation or theory work outside the method. The page-by-page coordination means every solo feels like a natural extension of what happened at the piano bench that week, building confidence through immediate musical application. Full-color illustrations keep young pianists engaged and give each piece its own personality.

What to expect

These solos feel like small musical rewards. Each piece is sized and styled for young hands, with melodies that sit comfortably and harmonies that encourage listening rather than strain. The full-color illustrations transform sheet music into a picture book, making practice sessions feel like playtime.

Who it's for

Beginning pianists working through Alfred's Basic Piano Prep Course (Level E) who need reinforcement repertoire that matches their current skills. Students learn best when solo material aligns directly with lesson-book concepts, and this book delivers exactly that connection. Teachers appreciate having coordinated, age-appropriate pieces ready for every week of instruction.

How to get the most out of it

  • Play through the entire piece at a comfortable tempo before focusing on technical details; familiarity with the melodic contour helps prevent note-reading errors.
  • Point out the illustrations to your student at the start of each piece; ask what story or mood they see, then connect that to how the music should sound.
  • Check the lesson book for any new concepts introduced that week, then listen for how the solo uses those same techniques in a musical context.
  • Keep a steady, even pace in both hands; if your student rushes the accompaniment pattern, practice hands separately with a metronome at a slower tempo.

How to use it

Assign one solo per week as students progress through their lesson book, using them as reinforcement tools rather than performance pieces. For studio recitals, group solos from this book together by level and theme to build a coherent segment that showcases foundational skills. These pieces also work well as informal play-throughs during family lessons, where parents can see exactly what their child has been learning.

Skills your students will build

  • Reading and playing newly introduced note names and positions on the staff
  • Coordinating left-hand accompaniment patterns with right-hand melody
  • Maintaining steady tempo and pulse with simple rhythmic patterns
  • Recognizing and applying dynamics and articulation markings in context
  • Building musical memory and interpretive choices through repeated practice

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