Alfred's Basic Piano Prep Course: Lesson Book A Cover Image

Alfred's Basic Piano Prep Course: Lesson Book A: Piano Book

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Alfred's Basic Piano Prep Course: Lesson Book A Cover Image

Alfred's Basic Piano Prep Course: Lesson Book A: Piano Book

For the Young Beginner

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Level: A

Item: 00-3089

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Description
Alfred's Basic Prep Course, Lesson Book A is specifically designed for beginners who are five years old and up. Through the use of appealing music and attractive illustrations, it is no wonder that Lesson Book A is the most widely used young beginner's piano book now available. This course takes into consideration the normal attention span, as well as the small-sized hands of the young beginner. Shortly after beginning, the young student will be able to play "Merrily We Roll Along." The complete Prep Course consists of six books (Levels A through F). This course is most effective when used under the direction of a piano teacher or experienced musician.

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Additional Details
Series: Alfred's Basic Piano Library
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-88284-816-X
ISBN13: 978-0-88284-816-7
UPC: 038081005386
SKU: 00-3089

More about this title

About the Authors

Willard A. Palmer
Dr. Willard Palmer stands as an internationally celebrated musician, educator, and scholar who created an extraordinary catalog of 789 published compositions. His works span accordion methods, piano methods, Hammond Chord Organ instruction, guitar methods, numerous solo pieces, and choral compositions. These publications have reached global audiences through translations into German, Japanese, French, Dutch, and Spanish. For many years, he served as choir director at Memorial Lutheran Church in Houston, Texas.

Palmer's musical journey began remarkably early. At just 13 years old, he performed piano on radio broadcasts, having studied piano and accordion under Mae Vardeman, whose instruction in proper technique shaped his improvisational gifts. During his college years at Whitworth College in Brookhaven, Mississippi and Millsaps College in Jackson, Mississippi, he continued performing both instruments on radio programs and in campus ensembles. Following his Bachelor's degree from Millsaps, a two-year scholarship brought him to study at the Conservatory of Leipzig in Germany.

Palmer joined the music faculty at the University of Houston after completing post-graduate studies there, where he taught the first successful college accordion courses for 18 years. His later scholarly work focused on Classical and Baroque music and pedagogical methods, establishing him worldwide as a leading authority on Baroque ornamentation. This expertise became foundational to the acclaimed Alfred Masterworks series of publications. His distinguished contributions earned him a Doctor of Humanities degree in 1971 and a Doctor of Music degree in 1983. He served as director of the Riemenschneider Bach Institute and held membership in the American Federation of Musicians Local #65, the American Accordionists' Association, and the American Society of Composers, Authors and Publishers.
Morton Manus
Morton Manus served as president of Alfred Music Publishing Co., Inc. for over six decades, from 1952 to 2016. He inherited a company founded by his father Sam in 1922 as Manus Music, which merged with Alfred & Company in 1930 to create the organization still known today. A trained clarinetist and pianist with a business degree from City College of New York, Manus transformed the publishing house from its Tin Pan Alley roots into a modern music education powerhouse.

In the 1950s, Manus revolutionized Alfred Music by developing instructional series across multiple instruments including accordion, guitar, piano, and recorder. This strategic shift established the company as a leader in music education materials. Under his leadership, Alfred Music expanded dramatically throughout the latter half of the twentieth century, relocating its main office to Los Angeles in 1975 and establishing international offices in Australia, Germany, Singapore, and the United Kingdom. The company achieved a major milestone in 2005 with the acquisition of Warner Bros. Publications and the EMI Catalogue Partnership.

Manus's sons Ron and Steve joined the family business in 1988 and 1992 respectively, continuing to develop educational methods and performance materials while overseeing international growth. Together, they strengthened Alfred Music's position as a comprehensive music publishing and education resource.
Amanda Vick Lethco
Dr. Amanda Vick Lethco is best known for co-authoring Alfred's Basic Piano Library, one of the world's most recognized piano methods, alongside Dr. Willard Palmer and Morton Manus. A dedicated educator, she served as Professor Emeritus of Piano Pedagogy at the University of Texas at Austin and maintained a private teaching practice in major cities including New York, San Antonio, and Houston.

Her formal training came from prestigious institutions and renowned musicians. She earned a Bachelor of Music in Piano Performance and a Bachelor of Music Education from Northwestern University, followed by a Master of Music in Piano Performance from the same school. Her studies also included work with legendary pedagogues James Friskin at Juilliard, Rudolph Ganz at Chicago Musical College, Douglas Moore at Columbia University, and Ruth Barr in Houston. Whitworth College in Brookhaven, Mississippi awarded her an honorary Doctor of Humanities degree.

Beyond her authorship and teaching, Dr. Lethco maintained an active presence in the international music community. She performed recitals throughout the United States and collaborated with Dr. Willard Palmer on the additional work Creating Music at the Piano. Her clinical expertise was sought at conventions across the country and at workshops spanning Europe, Canada, Japan, Hong Kong, Korea, New Zealand, Malaysia, Singapore, Australia, Thailand, and Indonesia. Recognition of her contributions appears in the International Who's Who of Musicians and the World Who's Who of Women.

Why we love this

Palmer and his co-authors understood that five-year-olds need music that respects their developing motor skills and short attention spans rather than testing them. The progression moves deliberately toward recognizable melodies ("Merrily We Roll Along" comes within the first weeks), which builds confidence and motivation in ways that abstract exercises simply cannot. Teachers return to this book generation after generation because it works: the illustrations are genuinely engaging, the page layout never overwhelms, and every concept is introduced only when a child's hands are actually ready for it.

What to expect

The experience feels less like "learning to play piano" and more like discovering that the piano speaks a language you already understand. Early pieces are short, tuneful, and drawn from familiar melodies or simple original compositions that children instinctively enjoy repeating. The whole book breathes with encouragement rather than challenge.

Who it's for

This book is designed for beginning pianists aged five and older, particularly those encountering notation and keyboard geography for the first time. It works equally well in private studio lessons and group settings, though Palmer's materials are most effective when guided by a teacher who can adjust pacing to match each child's development.

How to get the most out of it

  • Let your student choose which hand plays first when encountering a new note. Young pianists invest more in discovery than instruction, so when Lesson Book A presents a piece for the right hand alone, asking "which hand should start?" feels like choice rather than assignment.
  • Sing the melody aloud before playing it. Five and six-year-olds rely heavily on their ears, and hearing the tune first bridges the gap between what they understand and what their fingers must do.
  • Use the illustrations as teaching anchors. When you see the picture of a specific character or scene, pause and talk about what the music is expressing. This connects the abstract symbols on the page to something concrete in the child's world.

How to use it

Use Lesson Book A as the foundation for any piano studio or school music program serving young children. Teachers typically spend an entire year or more with this single book, pacing lessons around the child's natural development and introducing supplementary repertoire only once the core concepts solidify. It pairs naturally with Alfred's other Prep Course levels (B through F) as students progress.

Skills your students will build

  • Reading notes on the grand staff (treble and bass clefs)
  • Hand position and basic keyboard geography
  • Playing simple melodies with proper finger technique
  • Understanding basic rhythm notation (whole notes, half notes, quarter notes)
  • Coordinating both hands for elementary pieces
  • Recognizing and playing familiar folk melodies
  • Responding to directional notation and dynamics

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